Katherine Mansfield and the Gardens of the Soul

M. Ascari
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引用次数: 1

Abstract

Despite the recent revival of critical interest in Mansfield's ‘In the Botanical Gardens’ (1907), much remains to be said concerning this brief story in terms of textual analysis and also of contextualisation, notably with regard to Mansfield's other early – and often fragmentary – attempts at writing fiction, but also to her mature works. This article focuses on this 1907 sketch in an attempt to explore its aesthetic contexts and political implications. It considers Mansfield's invocations of subjectivity and her pursuit of psychological insight, within a pattern that counterpoints nature and culture, rationality and the unconscious, individuality and wholeness, civilisation and the primitive, Europe and its others. A comparison with works by Walter Pater, E. M. Forster, Virginia Woolf and D. H. Lawrence completes the analysis of this story, which arguably played a pivotal role in Mansfield's literary development, and which offers us a vantage point to reassess the transition from aestheticism to impress...
凯瑟琳·曼斯菲尔德和心灵的花园
尽管最近评论界对曼斯菲尔德的《在植物园里》(1907)重新产生了兴趣,但关于这个简短的故事,从文本分析和语境化的角度来看,还有很多话要讲,尤其是关于曼斯菲尔德其他早期(通常是零碎的)小说创作的尝试,以及她成熟的作品。本文着重于这幅1907年的小品,试图探讨其美学语境和政治含义。它考虑了曼斯菲尔德对主体性的召唤和她对心理洞察力的追求,在一个模式中,自然与文化,理性与无意识,个性与整体,文明与原始,欧洲与其他。通过与沃尔特·佩特、e·m·福斯特、弗吉尼亚·伍尔夫和d·h·劳伦斯的作品的比较,我们完成了对这个故事的分析。可以说,这个故事在曼斯菲尔德的文学发展中发挥了关键作用,它为我们重新评估从唯美主义到令人印象深刻的转变提供了一个有利的视角……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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