Design Method of Zen-Style Bracket Sets Recorded in the Japanese Carpentry Manual Kamakura Zoei Myomoku (Part 1): A Comparative Study with the Chinese Manual Yingzao Fashi – A Secondary Publication
{"title":"Design Method of Zen-Style Bracket Sets Recorded in the Japanese Carpentry Manual Kamakura Zoei Myomoku (Part 1): A Comparative Study with the Chinese Manual Yingzao Fashi – A Secondary Publication","authors":"Tadanori Sakamoto, Muping Bao","doi":"10.36922/jcau.v2i1.259","DOIUrl":null,"url":null,"abstract":"Through a comparison with the traditional Chinese manual Yingzao Fashi (Technical Treatise on Architecture and Craftsmanship), this paper analyzes the composition and design methods of Zen-style bracket sets described in the Kamakura Zoei Myomoku, a technical document inherited by the Kawachi family of carpenters at the Kenchoji Temple in Kamakura, Japan from the 13th to 19th century. As a result, the paper suggests that there were some similarities between Chinese and Japanese modular designs, which both used the cross-section of Gong as the basic unit, while other techniques like the use of a baseline for equal spacing and the rafter size as the basic unit, are considered to be Japanese innovations.","PeriodicalId":429385,"journal":{"name":"Journal of Chinese Architecture and Urbanism","volume":"59 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Chinese Architecture and Urbanism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36922/jcau.v2i1.259","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Through a comparison with the traditional Chinese manual Yingzao Fashi (Technical Treatise on Architecture and Craftsmanship), this paper analyzes the composition and design methods of Zen-style bracket sets described in the Kamakura Zoei Myomoku, a technical document inherited by the Kawachi family of carpenters at the Kenchoji Temple in Kamakura, Japan from the 13th to 19th century. As a result, the paper suggests that there were some similarities between Chinese and Japanese modular designs, which both used the cross-section of Gong as the basic unit, while other techniques like the use of a baseline for equal spacing and the rafter size as the basic unit, are considered to be Japanese innovations.