Conversations about race: A reflection on shifts in thinking, teaching and creative practice

Marike Spangenberg
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Abstract

Over the course of a year, I was involved in biweekly discussions in which a group of lecturers, members of management and administrative staff at a higher education institution in Stellenbosch, South Africa discussed personal experiences regarding race in and outside of our institution. The purpose of these discussions was to become more aware of how different people experience race, and in turn power, within the same space and place. With the Academy being a predominantly ‘white space’, these conversations affirmed the need for a collective consciousness of different experiences relating to race and power, as it directly impacts teaching and learning practices. As a white educator and Eurocentrically taught creative practitioner, the engagement in these conversations not only brought attention to different experiences and viewpoints, but also made me question my innate visual resources and bias regarding the construction of knowledge as relating to race, power, and place. In this paper I reflect upon the influence of these conversations on my personal thinking, teaching approaches and creative practice. I trace the process of gradual self-awareness, that has led to intentional adaptations in my teaching approach and alternative approaches in my practice as an illustrator. In so doing, the value of multimodal learning practices, particularly relating to race, is justified.
关于种族的对话:对思维、教学和创造性实践转变的反思
在一年的时间里,我参加了两周一次的讨论,在南非斯泰伦博斯的一所高等教育机构,一群讲师、管理人员和行政人员讨论了我们机构内外关于种族的个人经历。这些讨论的目的是让人们更加意识到,在同一个空间和地方,不同的人是如何体验种族的,以及反过来的权力的。由于学院是一个主要的“白色空间”,这些对话肯定了需要一种与种族和权力有关的不同经历的集体意识,因为它直接影响教学和学习实践。作为一名白人教育家和以欧洲为中心的创造性实践者,参与这些对话不仅引起了人们对不同经验和观点的关注,而且让我质疑自己固有的视觉资源,以及对与种族、权力和地方有关的知识建构的偏见。在本文中,我反思了这些对话对我个人思维、教学方法和创造性实践的影响。我追溯了逐渐自我意识的过程,这导致了我的教学方法和我作为插画家实践中的替代方法的有意调整。这样做,多模式学习实践的价值,特别是与种族有关的,是合理的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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