Job as a Steadfast Wrestler: Athletic Exemplarity in John Chrysostom and Severian of Gabala

Olympe De Backer, Thomas Valgaeren
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Abstract

Abstract In Greek Late Antiquity, the Biblical character of Job was portrayed in two different ways: as Job the impatient complainer and as Job the patient sufferer. The latter image has often been enriched by means of agonistic metaphors describing Job as the perfect athlete wrestling with the devil. Despite its pervasiveness, however, this image has only been studied in a sporadic and incomplete way. The article intends to bridge this gap by researching how Christian authors strategically used the image of Job as an athlete in order to increase his impact as a role model. First, it briefly explores this image in Biblical traditions and in the works of Origen, Basil of Caesarea, and Gregory of Nyssa. The main part of the article then focuses on the works of John Chrysostom and Severian of Gabala. It is necessary to ascertain which image(s) of Job each author presents and how this image is presented as well as to lay bare the function and relevance of the agonistic metaphors that are used to portray Job. To achieve this aim, the article offers a philological analysis of some crucial primary sources in their socio-cultural context. The agonistic metaphors have also been analysed according to the principles of cognitive-linguistic metaphor theory. In the end, the article shows how Chrysostom and Severian used Job as a model-athlete to incite their audience to strive for a perfect Christian life. It demonstrates that the agonistic metaphors are deeply significant for the portrayal of Job, since they incite the audience to view Job’s life, and consequently also their own life, from a new angle. By turning Job the passive sufferer into an active athlete who is the ultimate example of resilience, the metaphors shed a new light on Job’s suffering and thereby on the problem of theodicy.
约伯作为一个坚定的摔跤手:约翰·克里索斯托姆和加巴拉的塞维里安的运动典范
在古希腊晚期,《圣经》中的约伯有两种不同的形象:一个是不耐烦的抱怨者,另一个是耐心的受难者。后一种形象经常被激烈的隐喻所丰富,这些隐喻将约伯描述为与魔鬼摔跤的完美运动员。然而,尽管它无处不在,这一形象只以零星和不完整的方式进行了研究。本文旨在通过研究基督教作者如何策略性地使用约伯作为运动员的形象来增加他作为榜样的影响,从而弥合这一差距。首先,它简要地探讨了圣经传统和奥利金,凯撒利亚的巴兹尔和尼萨的格里高利的作品中的这一形象。然后,文章的主要部分集中在约翰·金口斯托和加巴拉的塞维里安的作品。有必要确定每个作者呈现了约伯的哪个形象,以及这个形象是如何呈现的,并揭示用于描绘约伯的斗争隐喻的功能和相关性。为了达到这一目的,本文在其社会文化背景下对一些重要的原始来源进行了语言学分析。根据认知语言隐喻理论的基本原理,对竞争隐喻进行了分析。最后,文章展示了金口斯托和塞维里安如何利用约伯作为一个模范运动员,来激励他们的听众为一个完美的基督徒生活而奋斗。这表明,斗争隐喻对约伯的刻画有着深远的意义,因为它们激发了观众从一个新的角度来看待约伯的生活,从而也审视了他们自己的生活。通过把被动的受难者约伯变成一个积极的运动员,成为坚韧不拔的终极典范,这些隐喻为约伯的苦难提供了新的视角,从而也为神正论的问题提供了新的视角。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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