Code Shifting or Code Switching as a Style in Simi’s and Adekunle Gold's Songs

Kikelomo Adeniyi, TAYE. A. Kehinde
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引用次数: 0

Abstract

Adekunle Kòsọ́kọ́ and Sìmisola Kòsọ́kọ́ (nee Ogunleye) are married singers, both born and bred in Lagos known by the stage names Kunle Gold and Simi respectively. They are among a group of young, popular, and successful songwriters, composers, and singers. Their music has gained the hearts of Nigerian people, especially the youth. The focus of this paper is to examine critically how they make use of code-switching or code-shifting in their respective music as a 'style' in order to differentiate their songs and also to make a unique identity. It is observed that they alternate between two or more languages to pass information to the target audience in order to showcase their fluency in the languages hence showing their level of literacy and flexibility. The data for analysis and discussion are songs from ‘Duduke’, ‘Sade’, ‘No forget me’, 'Selense’, ‘Promise Me’, and ‘Joromi’. Sociology Theory is used to drive home the point of discussion to reflect the effect of the songs on society.
司密与阿德昆勒·戈尔德歌曲中的语码变换或语码转换
Adekunle Kòsọ和Sìmisola Kòsọ (nee Ogunleye)是在拉各斯出生和长大的已婚歌手,分别以Kunle Gold和Simi的艺名闻名。他们是一群年轻、受欢迎、成功的词曲作者、作曲家和歌手。他们的音乐赢得了尼日利亚人民的心,尤其是年轻人。本文的重点是批判性地研究他们如何在各自的音乐中使用代码转换或代码转换作为一种“风格”,以区分他们的歌曲并形成独特的身份。据观察,他们在两种或两种以上的语言之间交替,向目标受众传递信息,以显示他们对这些语言的流利程度,从而显示他们的识字水平和灵活性。用于分析和讨论的数据来自《Duduke》、《Sade》、《No forget me》、《Selense》、《Promise me》和《Joromi》中的歌曲。本文运用社会学理论来深入探讨歌曲对社会的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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