Diagnosing the (American) Crisis in Foote’s The Cozeners and Burney’s Evelina

Ashley L. Cohen
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Abstract

This chapter contributes to the ongoing scholarly reassessment of the so called American Crisis, which was actually experienced — and in many ways is still best understood — as a global crisis in imperial affairs. It discusses Edmund Burke's speech “On American Taxation,” delivered on April 19, 1774, and Frances Burney's debut novel Evelina (1778). However, the primary case study is Samuel Foote's neglected comic masterpiece The Cozeners (1774). One of the goals of the chapter is to show how the theater afforded playwrights especially complex representational practices with which to render the far-flung coordinates of Britain's globally stretched imperial social formation visible. At the theater, Londoners learned how to view the empire from the perspective of the Indies mentality; and they sought to make sense of current events within this global analytic framework.
在富特的《科泽纳一家》和伯尼的《伊芙琳娜》中诊断(美国)危机
这一章有助于对所谓的美国危机进行持续的学术重新评估,美国危机实际上是一场帝国事务中的全球危机,在许多方面仍然是最好的理解。它讨论了埃德蒙·伯克于1774年4月19日发表的演讲《论美国税收》,以及弗朗西斯·伯尼的处女作《伊芙琳娜》(1778)。然而,主要的案例研究是塞缪尔·富特被忽视的喜剧杰作《科泽纳一家》(1774)。本章的目标之一是展示戏剧如何为剧作家提供特别复杂的代表性实践,使英国帝国社会形态的遥远坐标在全球范围内可见。在剧院里,伦敦人学会了如何从印度心态的角度看待帝国;他们试图在这个全球分析框架中理解当前的事件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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