Recreating Experience in Nigerian Fiction: Camillus Ukah’s Sweet Things and the Politics of its Production

Solomon Awuzie
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Abstract

This article contends that, in the same way as some postcolonial literature, the latter third generation Nigerian literature is a product of the writer’s experience. When the writer does not reproduce his sociopolitical experience, he reshapes his expectations into literature. The writer manipulates his experience into creative activity that fulfils his innate desire – this is the same desire which he is ordinarily unable to achieve in reality. This article argues further that even though the literature is a product of the writer’s experience, it is harmless and beneficent. Using Camillus Ukah’s Sweet Things as a representative text of the fiction produced by a latter third generation Nigerian literature writer, emphasis is made on the way in which Camillus Ukah has recreated his experience. It concludes that through the novel, Ukah expresses his bitterness towards a certain matrimonial experience that is of his particular concern.
在尼日利亚小说中再现经验:卡米拉斯·乌卡的《甜蜜的事物》及其制作的政治
本文认为,与一些后殖民文学一样,后第三代尼日利亚文学也是作家自身经历的产物。当作家没有再现他的社会政治经验时,他就把他的期望重新塑造成文学。作家将他的经验运用到创造性活动中,以满足他的内在欲望——这是他在现实中通常无法实现的欲望。本文进一步论证,尽管文学作品是作者亲身经历的产物,但它是无害的、有益的。以Camillus Ukah的《甜蜜的事物》为代表的第三代尼日利亚文学作家的小说文本,重点是Camillus Ukah如何再现他的经历。文章的结论是,通过这部小说,尤卡表达了他对某种婚姻经历的痛苦,这是他特别关心的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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