French Odysseys: Greece in French Travel Literature from the Renaissance to the Romantic Era by Olga Augustinos (review)

Wilson Baldridge
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Abstract

Like the characters in Six Degrees of Separation, far too many of the writers in An Other Tongue appear to subscribe to the idea that a rarified dialect is somehow necessary, that it is important to separate themselves from the rest of us by employing a language of exclusion. These writers seem to believe that in some way it legitimizes their scholarship, when, in reality, it simply distances them from the very people of whom they write. I do not believe the Chicana/o students I teach every semester would ever consent to being labeled "intercultural heteroglots" (13), nor would they wade through the ocean ofjargon which camouflages the scholarship in An Other Tongue. And if a collection of academic essays does not serve students—especially students who are a part of the population which it claims to represent—then what is its purpose?
《法国奥德赛:文艺复兴到浪漫主义时期法国旅行文学中的希腊》奥尔加·奥古斯丁斯著(书评)
就像《六度分隔》中的人物一样,《另一种语言》中太多的作者似乎都赞同这样一种观点:某种程度上,一种多样化的方言是必要的,通过使用一种排斥的语言将他们自己与我们其他人区分开来是很重要的。这些作家似乎相信,在某种程度上,这使他们的学术研究合法化,而实际上,这只是使他们与他们所写的人保持距离。我不相信我每学期教的墨西哥裔学生会同意被贴上“跨文化的异族”的标签,他们也不会费力地穿过术语的海洋,这些术语掩盖了《另一种语言》的学术成就。如果一本学术论文集不能为学生服务——尤其是它声称要代表的那部分学生——那么它的目的是什么呢?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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