Evolving Music Industry in China

Luosha Zhang, M. Lai
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Abstract

With the introduction of ITunes by Apple in 2003, the music industry has brought the service provider major changes. With the development of the mobile Internet and the arrival of the streaming media era, the vertical integration of the record industry chain, which has the largest share among the three sub-chains of the music industry, has disintegrated. The offline sales channels that used CD as the medium gradually declined, while the online channels that used iTunes and streaming media as the medium gradually became the mainstream. Traditional offline music distribution channels have been subverted, and IT companies and Internet companies represented by Apple, Spotify, and Pandora are emerging as service provider upstarts. Similar to the global music industry ecology, China's music industry is divided into three sub-industrial chains in the service provider link. The first sub-chain, the record music chain, suffers from piracy problems. The second sub-chain, the music copyright chain, once unsustainable due to weak genuine protection, has improved with the strengthening of domestic copyright protection. The third sub-chain, the music performance chain, is currently the most popular chain, and is also the main source of profit supporting the entire Chinese music industry.
中国音乐产业的发展
随着2003年苹果公司推出ITunes,音乐行业给服务提供商带来了重大变化。随着移动互联网的发展和流媒体时代的到来,在音乐产业的三大子链中占有最大份额的唱片产业链垂直整合已经瓦解。以CD为媒介的线下销售渠道逐渐衰落,以iTunes和流媒体为媒介的线上销售渠道逐渐成为主流。传统的线下音乐发行渠道被颠覆,以苹果、Spotify、Pandora为代表的IT企业和互联网企业正在崛起,成为服务提供商的新贵。与全球音乐产业生态相似,中国音乐产业在服务商环节被划分为三个子产业链。第一个子链,唱片音乐链,受到盗版问题的困扰。第二个子链,即音乐版权链,曾因正版保护薄弱而难以为继,但随着国内版权保护力度的加强而有所改善。第三个子链,音乐演出链,是目前最受欢迎的链条,也是支撑整个中国音乐产业的主要利润来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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