Tender Places

Kelly Lee Hickey
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Abstract

Tender Places is a creative research project engaging the settler body in reflexive dialogue with theory in and through place, to explore moral responsibilities of settler descended peoples in the time of ecological breakdown. The entanglement of severance and extraction with ecological and social violence poses a provocation to settler descended peoples. Working with the Ilparpa Claypans, a site of personal significance on the outskirts of Alice Springs in the Northern Territory, my creative research uses Deborah Bird Rose’s provocation of “Taking Notice,” sensual language and presencing the co-existence of love and violence in order to mobilise the body in the act of physical translation of ideas with/in place through walking, writing and digital photography. The research acknowledges and activates trans-local relationships through the creation and sending of postcards that document, translate and disseminate field notes to and through an international network of artist peers. The postcard is presented as a queering material medium; an appropriated artefact of outsider privilege, a public/ private artwork for an audience of one, and a material item that crosses political and geographical borders to link places and people through space and time. My paper locates this practice of (trans)local place-based inquiry into ecological crisis within broader decolonising, feminist and creative inquiries into the Anthropocene. Postcards and other creative research artefacts will be shared to demonstrate the methodology in action, and I reflect on the decolonising potential of reflexive and embodied engagement with place in relation to settler identity.
温柔的地方
《温柔的地方》是一个创造性的研究项目,让定居者群体在地方内与理论进行反思性对话,并通过地方来探索生态崩溃时期定居者后裔的道德责任。分离和提取与生态和社会暴力的纠缠对定居后裔构成了挑衅。我与位于澳大利亚北领地艾丽斯斯普林斯郊区的伊尔帕帕·克兰潘(Ilparpa Claypans)合作,我的创造性研究使用了黛博拉·伯德·罗斯(Deborah Bird Rose)对“注意”(Taking Notice)的挑衅、感性语言和爱与暴力共存的呈现,目的是通过步行、写作和数码摄影来调动身体,在适当的地方对思想进行物理翻译。这项研究通过制作和发送明信片来确认和激活跨地区的关系,这些明信片记录、翻译和传播实地笔记,并通过艺术家同行的国际网络传播。明信片是作为一种奇怪的物质媒介呈现的;一个局外人特权的人工制品,一个公共/私人的艺术作品,一个跨越政治和地理边界的物质项目,通过空间和时间将地点和人联系起来。我的论文将这种对生态危机的(跨)地方性调查的实践定位于更广泛的非殖民化、女权主义和对人类世的创造性调查中。将分享明信片和其他创造性的研究文物,以展示实际的方法,并反思与定居者身份相关的地方的反身性和具体化参与的非殖民化潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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