{"title":"History in the Light of Spirituality","authors":"M. Ilnytskyi","doi":"10.33608/0236-1477.2019.05.14-20","DOIUrl":null,"url":null,"abstract":"The paper deals with the historic novels written by Ukrainian writer Roman Ivanychuk in 1960s – 1980s. The emphasis is given to the peculiarities that distinguish his works among the similar novels on the Ukrainian history written at the same period. The researcher sees the main difference in the fact that R.Ivanychuk focused not so much on the heroic acts of his characters as on their characteristics of representatives of the epoch. He paid the most attention to the spiritual awakening of the nation being under pressure of the forced assimilation and in danger of extinction. These features of the historic novels by this writer were already noticeable in his first novel “Malvy” (“Mallows”, 1968). The work focused on the problem of “janissaries”, especially relevant at that time. It was interpreted as the loss of historical memory and national identity on the one hand, and the inevitable end of the empire that exploits enslaved neighbors on the other. The aesthetic symbolism is realized in the image of a luxuriant plane tree which is drained by mistletoe, with the fatal end of a tree. The symbolism of this image is related to the idea of the Arabic philosopher of the 16th cent. Ibn Khaldun who stated that decline of an empire is caused by the loss of its vital sources. \n The novels “Cherlene vyno” (“Red Wine”, 1977) and “The Manuscript from Ruska Street” (1979) contain the aesthetic models that sound in tune with the scholarly ideas of contemporary historians (O. Apanovych, Y. Isaievych, M. Braichesvkyi). In particular it was the interest to the development of the education system and research studies, emergence of Brotherhood schools and book printing. Historic novels by R.Ivanychuk emphasize the conflict between the Artist and the system of ruling power (“Shramy na Skali”/“Scars on Rock”, 1982), where one can see allusions to the movement of the Sixtiers. The writer raised the problem of the moral choice between strict loyalty to the principles and the compromise. Then he explored the limits of justifying the compromise.","PeriodicalId":413949,"journal":{"name":"Академічний журнал \"Слово і Час\"","volume":"74 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Академічний журнал \"Слово і Час\"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33608/0236-1477.2019.05.14-20","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The paper deals with the historic novels written by Ukrainian writer Roman Ivanychuk in 1960s – 1980s. The emphasis is given to the peculiarities that distinguish his works among the similar novels on the Ukrainian history written at the same period. The researcher sees the main difference in the fact that R.Ivanychuk focused not so much on the heroic acts of his characters as on their characteristics of representatives of the epoch. He paid the most attention to the spiritual awakening of the nation being under pressure of the forced assimilation and in danger of extinction. These features of the historic novels by this writer were already noticeable in his first novel “Malvy” (“Mallows”, 1968). The work focused on the problem of “janissaries”, especially relevant at that time. It was interpreted as the loss of historical memory and national identity on the one hand, and the inevitable end of the empire that exploits enslaved neighbors on the other. The aesthetic symbolism is realized in the image of a luxuriant plane tree which is drained by mistletoe, with the fatal end of a tree. The symbolism of this image is related to the idea of the Arabic philosopher of the 16th cent. Ibn Khaldun who stated that decline of an empire is caused by the loss of its vital sources.
The novels “Cherlene vyno” (“Red Wine”, 1977) and “The Manuscript from Ruska Street” (1979) contain the aesthetic models that sound in tune with the scholarly ideas of contemporary historians (O. Apanovych, Y. Isaievych, M. Braichesvkyi). In particular it was the interest to the development of the education system and research studies, emergence of Brotherhood schools and book printing. Historic novels by R.Ivanychuk emphasize the conflict between the Artist and the system of ruling power (“Shramy na Skali”/“Scars on Rock”, 1982), where one can see allusions to the movement of the Sixtiers. The writer raised the problem of the moral choice between strict loyalty to the principles and the compromise. Then he explored the limits of justifying the compromise.
本文研究了乌克兰作家罗曼·伊万尼丘克在20世纪60年代至80年代创作的历史小说。重点是把他的作品与同一时期写的乌克兰历史的类似小说区分开来的特点。研究者认为,主要的区别在于,r.t avanychuk不太关注他笔下人物的英雄行为,而是关注他们作为那个时代代表人物的特征。他最关注的是民族在被迫同化和濒临灭绝的压力下的精神觉醒。这位作家的历史小说的这些特点在他的第一部小说《Malvy》(《Mallows》,1968)中就已经很明显了。工作的重点是“禁卫军”的问题,在当时特别相关。这一方面被解释为历史记忆和民族认同的丧失,另一方面被解释为剥削被奴役邻国的帝国的不可避免的终结。这一美学象征是在一棵繁茂的梧桐树被槲寄生吸干的形象中实现的,这棵树的结局是致命的。这幅图像的象征意义与16世纪阿拉伯哲学家伊本·赫勒敦的观点有关,他认为一个帝国的衰落是由失去重要资源造成的。小说《红葡萄酒》(Cherlene vyno, 1977)和《罗斯卡街手稿》(The Manuscript from Ruska Street, 1979)包含的美学模式听起来与当代历史学家(O. Apanovych, Y. Isaievych, M. Braichesvkyi)的学术思想一致。特别是对教育系统和研究的发展,兄弟会学校的出现和书籍印刷的兴趣。r.i vananychuk的历史小说强调艺术家与统治权力体系之间的冲突(“Shramy na Skali”/“Scars on Rock”,1982),其中可以看到对六十年代运动的暗示。作者提出了严格遵守原则与妥协之间的道德选择问题。然后,他探讨了为妥协辩护的局限性。