Artemis: Goddess of Conservation

J. Hughes
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引用次数: 6

Abstract

The ancient Greeks represented the spirit of conservation in the shape of a formidable protectress of animals and plants, the goddess Artemis. In the Louvre one can view a striking statue of Artemis (or as the Romans called her, Diana) in a running pose, known as the Diana of Versailles, a Roman copy of a Greek originali This work of art displays two facets of the goddess, as huntress and protectress: though she is armed with bow and arrows, her hand rests cherishingly on the antler of the stag that runs beside her. The Diana of Versailles is only one of an innumerable series of images in art, literature, and popular culture that reveal facets of this complex deity. Artemis would be an important figure in intellectual history even if these images were only matters of artistic symbolism. But Artemis was more than an artistic symbol. The worship of this goddess involved customs affecting the treatment of living organisms, both as species and in communities, and the use of certain categories of land. For example, sanctuaries of Artemis and other gods often consisted of tracts of forest where hunting of deer and other animals was forbidden.2 Thus the study of her cult is essential for understanding ancient Greek attitudes and practices relating to wildlife, forests, and the wilderness. w
阿尔忒弥斯:保护女神
古希腊人以一位令人敬畏的动植物保护者——阿耳忒弥斯女神的形象来代表保护的精神。在卢浮宫,人们可以看到一尊引人注目的阿尔忒弥斯(或者罗马人叫她戴安娜)奔跑姿势的雕像,被称为凡尔赛的戴安娜,这是希腊原作的罗马复制品。这件艺术品展示了女神的两个方面,作为猎人和保护者:尽管她手持弓箭,但她的手珍爱地放在她身边奔跑的鹿的鹿角上。凡尔赛宫的戴安娜只是艺术、文学和大众文化中无数系列形象中的一个,这些形象揭示了这位复杂的神的各个方面。阿尔忒弥斯将是思想史上的一个重要人物,即使这些形象只是艺术象征。但阿尔忒弥斯不仅仅是一个艺术象征。对这位女神的崇拜涉及到影响生物的习俗,无论是作为物种还是在社区中,以及某些类别的土地的使用。例如,阿尔忒弥斯和其他神的圣殿通常由大片的森林组成,在那里禁止狩猎鹿和其他动物因此,对她的崇拜的研究对于理解古希腊人对野生动物、森林和荒野的态度和做法是必不可少的。w
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