The 1930s

M. Bell
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Abstract

This chapter discusses how the key features of the British film industry impacted women's labor. It sets women's work in the context of a production boom in the British film industry in the 1930s, a time when the sector was modernizing after the introduction of sound, and film studios were keen to create a new image of themselves. The chapter shows how they achieved this by linking the modernization narrative to masculinity in fan and trade publications and sidelining women and their labor in the process. It then moves on to examine women's labor in costume, continuity, and editing/negative cutting — jobs that have come to define popular understanding of women's contribution to sound-era cinema. The chapter recounts some of the skills required to succeed in these roles and the processes through which they were assigned secondary status in film production hierarchies.
1930年代
这一章讨论了英国电影工业的主要特征是如何影响女性劳动的。它将女性的工作置于20世纪30年代英国电影业的生产热潮的背景下,当时该行业在引入声音后正在现代化,电影制片厂热衷于创造自己的新形象。本章展示了他们是如何通过将现代化叙事与粉丝和贸易出版物中的男性气质联系起来,并在此过程中将女性和她们的劳动边缘化来实现这一目标的。然后,它继续研究女性在服装、连续性和编辑/负面剪辑方面的劳动——这些工作已经定义了女性对有声时代电影的贡献的流行理解。本章叙述了在这些角色中取得成功所需的一些技能,以及他们在电影制作层次结构中被赋予次要地位的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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