A Wolf in Sheep’s Clothing: The Cauchero of the Amazonian Rubber Groves

L. Bernucci
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Abstract

This essay explores the iconic figure of the "rubber baron," during the rubber boom era (1890-1920) in the Amazon. Portrayed by travelers and fiction writer as Janus-faced, the rubber baron can be both elegant and brutal. Historical names of Rubber Barons all exemplify the double-sided nature of this type of individual. In this essay the author argues that, mirroring personal and cultural attributes of Sérgio Buarque de Holanda’s notion of the "homem cordial”, the rubber baron evades simple characterizations, which makes him a unique social type and a sinister by-product of colonization in Latin America. Liminal in his ability to suspend his brutality, the rubber baron can become a gentleman and then rapidly return to his original barbaric state. This allows him, for example, to traffic between the Amazonian rainforest and Paris with ease, until all his wealth is wasted and he is then forced to return to his rubber estate, once again, to re-build his fortune. Finally, the essay posits that the ambiguous character epitomizes the rubber industry. By wearing different masks the rubber baron conceals from the "civilized world" the horrors of slavery, rape, torture, and mass murder that were perpetrated in Amazonia's hellish gardens of rubber.
披着羊皮的狼:亚马逊橡胶林的小山羊
这篇文章探讨了亚马逊地区橡胶繁荣时期(1890-1920)“橡胶男爵”的标志性人物。这位橡胶大亨被旅行者和小说家描绘成两面脸,既优雅又残酷。橡胶大亨的历史名字都体现了这类人的双面性。在这篇文章中,作者认为,橡胶大亨回避了简单的特征,反映了s希奥·布阿尔克·德·奥朗达的“亲切的人”概念的个人和文化属性,这使他成为拉丁美洲殖民时期独特的社会类型和邪恶的副产品。在他的能力有限,暂停他的暴行,橡胶大亨可以成为一个绅士,然后迅速回到他原来的野蛮状态。例如,这使得他可以轻松地往返于亚马逊雨林和巴黎之间,直到他所有的财富都被浪费掉,然后他被迫回到他的橡胶庄园,再一次重建他的财富。最后,本文认为这种模棱两可的特征是橡胶工业的缩影。通过戴上不同的面具,橡胶大亨向“文明世界”隐瞒了在亚马逊地狱般的橡胶花园里犯下的奴役、强奸、酷刑和大屠杀的恐怖。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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