Precarious Geography: Landscape, Memory, Identity and Ethno-regional Nationalism in Niger Delta Poetry

Ogaga Okuyade
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Abstract

Abstract Like most conflicts across the world, the Niger Delta crisis has generated a body of works now labelled Niger Delta literature. These cultural art forms, which are not only programmatic in thrust but also carry a dissenting temper that is laden with counter hegemonic rhetoric, are primarily geared towards underpinning a brutish kind of colonization and corporate greed which has become the stamp of toxic dreaming and dubious progress in Nigeria. This literature draws attention to the debility of the Niger Delta people and to the fact that they are trapped under double hegemons – the Nigerian government and transnational oil firms – that have strategically transformed or reduced this precarious geography and its inhabitants to mere commodities. A close reading of texts on the Niger Delta makes one aware of the politics and structure of the Nigerian economy and the corporate cost of petroculture; moreover, issues of ethno-regional identity, the inequity in the distribution of resources, the near absence of government presence in the Niger Delta and the continuous decay of state infrastructures provide a fertile ground for explaining the resentment expressed by these heavily marginalized people. By protesting their marginality, these poets frame a kind of identity that “others” the Niger Delta people, thereby holding the state accountable for its deplorable conditions and the abysmal underdevelopment of the region considering the quantity of wealth it generates for the Nigerian federation. Paying significant attention to the relationship between the representations of landscape and processes of political and economic transformation and how the landscape becomes the defining index for identity formation in the poetry of Tanure Ojaide and Ibiware Ikiriko, I argue that these poets point to the way in which colonialism and environmental devastation are interlocking systems of domination within the Nigerian nation.
岌岌可危的地理:尼日尔三角洲诗歌中的景观、记忆、身份和民族-区域民族主义
像世界上大多数冲突一样,尼日尔三角洲危机产生了大量的作品,现在被称为尼日尔三角洲文学。这些文化艺术形式不仅具有计划性,而且带有一种反对的情绪,充满了反霸权的言辞,主要是为了支持野蛮的殖民和企业贪婪,这已经成为尼日利亚有毒梦想和可疑进步的标志。这些文献提请人们注意尼日尔三角洲人民的衰弱,以及他们被双重霸权- -尼日利亚政府和跨国石油公司- -所困的事实,这些霸权战略性地改变或减少了这一不稳定的地理位置及其居民,使其成为纯粹的商品。仔细阅读有关尼日尔三角洲的文本,人们就会意识到尼日利亚经济的政治和结构以及石油文化的企业成本;此外,民族-地区认同、资源分配不平等、尼日尔三角洲几乎没有政府存在以及国家基础设施的持续衰败等问题,为解释这些严重边缘化的人所表达的怨恨提供了肥沃的土壤。通过抗议他们的边缘地位,这些诗人构建了一种与尼日尔三角洲人民“不同”的身份认同,从而让国家对其可悲的条件和该地区严重的不发达负责,考虑到它为尼日利亚联邦创造的财富数量。我特别关注风景的表现与政治和经济转型过程之间的关系,以及风景如何在Tanure Ojaide和Ibiware Ikiriko的诗歌中成为身份形成的决定性指标,我认为这些诗人指出了殖民主义和环境破坏是尼日利亚民族统治的环环相扣的方式。
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