Theatrical and Spatial Modes of Presenting the Endowment Ritual in Latter-day Saint Temples

B. Ro
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Abstract

This paper explores the experiential relationship between religious ritual and sacred space for temples built by the Church of Jesus Christ of Latter-day Saints. Lindsay Jones’ theatrical modes of presenting ritual performances are used to enhance our understanding of the function of the temple’s endowment ordinance. Over 170 Latter-day Saint temples from around the globe are analyzed in terms of their unique endowment spatial sequence in order to identify the various theatrical and spatial modes of presentation employed over the 190-year lifespan of the Church. Three important findings are identified in the paper: 1) Latter-day Saint temples with a five-room sequence and live endowment presentation are considered multi-sensory engaging experiences by the use of ambulatory actors and audiences; 2) temples with a two-room endowment sequence and a film presentation are efficient in their usage of space, but they often lead to passivity through their use of stationary stages and audiences; and 3) temples with three or five-room sequences which utilize the film presentation format blend efficiency with active involvement with the use of stationary stages and ambulatory audiences.
后期圣徒庙宇中献金仪式的戏剧与空间表现模式
本文以耶稣基督后期圣徒教会所建庙宇为研究对象,探讨宗教仪式与神圣空间之间的体验关系。林赛琼斯的戏剧形式的仪式表演是用来增强我们对寺庙的捐赠条例的功能的理解。我们分析了全球超过170座后期圣徒的圣殿,根据其独特的天赋空间序列,以确定在教会190年的生命周期中所采用的各种戏剧和空间呈现模式。研究发现:1)通过使用流动演员和观众,具有五室序列和现场捐赠的后期圣徒寺庙被认为是多感官参与体验;2)两个房间的捐赠顺序和电影展示的寺庙在空间利用上是有效的,但由于使用固定的舞台和观众,往往导致被动;3)寺庙有三个或五个房间的序列,利用电影的呈现形式,将效率与使用固定舞台和流动观众的积极参与相结合。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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