Reading Cleopatra VII: The Crafting of a Political Persona

A. Delaney
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Abstract

The purpose of this paper is to examine the history of Cleopatra VII, as well as how and why she wanted to be depicted in a certain manner with respect to visual art. As the last noble of the Ptolemaic Dynasty, her images communicate her political abilities, her religious fervor, her maternal obligations and obstinacy in perpetuating royal lineage, and her direct connection to ancient Egyptian gods. Additionally, by consummating relationships with two of the most powerful men in ancient Roman history (Julius Caesar and Mark Antony), she was able to cultivate her skills as an influential pharaoh, equal to that of her male counterparts, and solidify her status as pharaoh. In exploring the multicultural facets of her images, I argue that not only did they not function solely as objects of aesthetic pleasure, they also appealed to a broad audience so as to communicate her level of influence as recognized not only in Egypt, but throughout the Mediterranean world.
阅读克利奥帕特拉七世:塑造一个政治人物
本文的目的是研究克利奥帕特拉七世的历史,以及她如何以及为什么要以某种视觉艺术的方式被描绘出来。作为托勒密王朝的最后一位贵族,她的形象传达了她的政治能力、她的宗教热情、她的母性义务和她在延续王室血统方面的固执,以及她与古埃及诸神的直接联系。此外,通过与古罗马历史上最有权势的两个男人(尤利乌斯·凯撒和马克·安东尼)的完美关系,她能够培养自己作为一个有影响力的法老的技能,与她的男性同行一样,巩固她作为法老的地位。在探索她的图像的多元文化方面时,我认为它们不仅不仅仅是审美愉悦的对象,而且还吸引了广泛的观众,以传达她的影响力,不仅在埃及,而且在整个地中海世界都得到认可。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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