{"title":"NARRATIVE SOVEREIGNTY, EMOTIONS AND INTERSPECIES RELATIONSHIPS","authors":"R. Lennox","doi":"10.21153/cinder2019art880","DOIUrl":null,"url":null,"abstract":"This article engages the claim that narrative is crucial to humans’ capacity to imagine and to know other animals. It brings together the concept of political sovereignty from Derrida, with an evaluation of emotion to analyse narratives about interspecies relationships. I begin by mapping Derrida’s critique of the relationship between violence and scientific knowledge about animals (Derrida 2009: 276–304) onto recent research into relationships between people and dingoes on K’gari (Fraser Island), to delineate how violent epistemologies may underpin humans’ ways of knowing other animals. I then explore the politics of the public education about dingoes on K’gari as they relate to government policies and the way the state exercises power; such state-sanctioned narratives set the discursive tone for the way people know and interact with (this) other species, and disallow other epistemologies. In contrast, creative nonfiction narrators Barry Lopez (Of Wolves and Men, 2004) and Helen Macdonald (H Is for Hawk, 2014) perform their own critiques of inaccurate and controlling narratives about, respectively, wolves and goshawks. I argue that the techniques they use—acknowledging emotion; observing animals’ perceptions, relationships and agency; respecting animals’ ability to resist human-imposed meanings; recognising the limits of human knowledge; and incorporating other voices—provide a framework for how creative writers may narrateother animals more ethically and more accurately.","PeriodicalId":187236,"journal":{"name":"c i n d e r","volume":"70 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"c i n d e r","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21153/cinder2019art880","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
This article engages the claim that narrative is crucial to humans’ capacity to imagine and to know other animals. It brings together the concept of political sovereignty from Derrida, with an evaluation of emotion to analyse narratives about interspecies relationships. I begin by mapping Derrida’s critique of the relationship between violence and scientific knowledge about animals (Derrida 2009: 276–304) onto recent research into relationships between people and dingoes on K’gari (Fraser Island), to delineate how violent epistemologies may underpin humans’ ways of knowing other animals. I then explore the politics of the public education about dingoes on K’gari as they relate to government policies and the way the state exercises power; such state-sanctioned narratives set the discursive tone for the way people know and interact with (this) other species, and disallow other epistemologies. In contrast, creative nonfiction narrators Barry Lopez (Of Wolves and Men, 2004) and Helen Macdonald (H Is for Hawk, 2014) perform their own critiques of inaccurate and controlling narratives about, respectively, wolves and goshawks. I argue that the techniques they use—acknowledging emotion; observing animals’ perceptions, relationships and agency; respecting animals’ ability to resist human-imposed meanings; recognising the limits of human knowledge; and incorporating other voices—provide a framework for how creative writers may narrateother animals more ethically and more accurately.
这篇文章主张,叙事对于人类想象和了解其他动物的能力至关重要。它汇集了德里达的政治主权概念,以及对情感的评估,以分析关于物种间关系的叙述。首先,我将德里达对暴力与动物科学知识之间关系的批判(德里达2009:276-304)与最近对K ' gari(弗雷泽岛)人与野狗之间关系的研究相结合,以描绘暴力认识论如何支撑人类认识其他动物的方式。然后,我探讨了有关K 'gari野狗的公共教育的政治,因为它们与政府政策和国家行使权力的方式有关;这种国家认可的叙述为人们认识和与其他物种互动的方式设定了话语基调,并且不允许其他认识论。相比之下,创造性的非虚构叙述者巴里·洛佩兹(《狼与人》,2004年)和海伦·麦克唐纳(《H Is for Hawk》,2014年)分别对关于狼和鹰的不准确和控制的叙事进行了自己的批评。我认为他们使用的技巧——承认情绪;观察动物的感知、关系和能动性;尊重动物抵抗人类强加的意义的能力;认识到人类知识的局限性;并结合其他声音,为有创意的作家如何更道德、更准确地叙述其他动物提供了一个框架。