Facilitating Transactions and Lawful Availability of Works of Authorship

Rán Tryggvadóttir
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Abstract

The importance of providing access to the cultural heritage1 is widely accepted.  Digital technology has supplied powerful new tools to reproduce and disseminate works and at the same time has transformed the demands and expectations of end-users.2  Nevertheless, there are several issues that cultural heritage institutions (“CHIs”) must resolve in order to maintain their role of preserving and disseminating cultural heritage in the digital age.  Although some of those issues are budgetary rather than legal,3copyright is obviously a key consideration in the digital use of in-copyright works by CHIs.  The largest copyright challenge for CHIs is the process of identification of right holders of copyright and clearance of rights, i.e. obtaining authorization or licenses for use of in-copyright works. Stakeholders do not agree how best to facilitate CHIs in their important cultural role.  Some advocate the establishment of legal exceptions whereas others favor licenses.  My starting assumption is that, given the impact of online use, licensing is a more appropriate and flexible tool than exceptions.  However, obtaining individual licenses for the use of in-copyright works held by CHIs is complicated, time-consuming, and costly, in particular for cross-border online use.4  Thus individual licensing is not a practical solution for CHIs except for the use of a few well-defined works.  Even collective licensing does not fully solve the licensing issue because no collective management organization (“CMO”) has mandates from all right holders in a given field.5  Hence, I propose that the solution is to be found through collective licenses with legislative support, such as the system of extended collective licenses (“ECL”).6 In this essay I will start by giving a brief account of the main strands which constitute an extended collective license in the Nordic countries, where it was first developed.7  I will describe two examples where ECLs have been used to facilitate access to the cultural heritage, in Norway and Finland respectively.  I will also discuss the compatibility of the system with international norms, in particular the Berne Convention,8 and finish with some reflections on challenges and benefits of the system of ECLs in facilitating access to cultural heritage.
促进交易和作者作品的合法获取
提供参观文化遗产的机会的重要性已被广泛接受。数字技术为作品的复制和传播提供了强大的新工具,同时也改变了终端用户的需求和期望然而,为了在数字时代保持其保护和传播文化遗产的作用,文化遗产机构(“CHIs”)必须解决几个问题。虽然其中一些问题是预算问题而不是法律问题,但3copyright显然是CHIs数字化使用受版权保护作品的关键考虑因素。对文物保护机构来说,最大的版权挑战是确定版权持有人和权利清关的过程,即获得授权或许可使用受版权保护的作品。利益相关者不同意如何最好地促进文物保护中心发挥其重要的文化作用。一些人主张建立法律例外,而另一些人则赞成许可。我最初的假设是,考虑到在线使用的影响,许可是一种比例外更合适、更灵活的工具。然而,获得使用中国知识产权机构持有的版权作品的个人许可是复杂、耗时和昂贵的,特别是跨境在线使用因此,除了使用少数定义明确的作品外,个别许可并不是CHIs的实际解决方案。即使是集体许可也不能完全解决许可问题,因为没有一个集体管理组织(“CMO”)在某一特定领域获得所有权利人的授权因此,我建议解决办法是通过有立法支持的集体许可,例如延长集体许可制度(“ECL”)在这篇文章中,我将首先简要介绍北欧国家中构成扩展的集体许可的主要方面,北欧国家是它最初发展起来的地方我将描述两个例子,分别在挪威和芬兰,使用文化语言来促进获取文化遗产。我还将讨论该制度与国际规范的兼容性,特别是与《伯尔尼公约》的兼容性。8最后,我将对ecl制度在促进文化遗产获取方面的挑战和益处进行一些反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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