Deviation from the Exact

P. Juslin
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引用次数: 0

Abstract

This chapter focuses on performance. It asks: what does it really mean to perform a piece of music? What is it that a performer is ‘adding’ to make a musical score ‘come alive’, and sound musical and expressive? It argues that expression derives from five main sources, collectively referred to as the GERMS model: generative rules (G) that mark the structure in a musical manner; emotional expression (E) that serves to convey emotions to listeners; random fluctuations (R) that reflect human limitations in motor precision; motion principles (M) which hold that tempo changes should follow natural patterns of human movement, such as gestures; and stylistic unexpectedness (S) that reflects a performer's deliberate attempt to deviate from stylistic expectations regarding performance conventions to add tension and unpredictability to the performance.
偏离精确
本章主要讨论性能。它问:演奏一段音乐的真正含义是什么?为了让乐谱“活起来”、听起来悦耳、富有表现力,演奏者“添加”了什么?它认为,表达源于五个主要来源,统称为病菌模型:生成规则(G),以音乐的方式标记结构;情感表达(E)用于向听众传达情感;随机波动(R),反映人类对运动精度的限制;运动原则(M),认为节奏的变化应该遵循人类运动的自然模式,比如手势;以及风格上的意外(S),这反映了表演者故意偏离对表演惯例的风格期望,以增加表演的紧张感和不可预测性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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