{"title":"Deviation from the Exact","authors":"P. Juslin","doi":"10.1093/OSO/9780198753421.003.0013","DOIUrl":null,"url":null,"abstract":"This chapter focuses on performance. It asks: what does it really mean to perform a piece of music? What is it that a performer is ‘adding’ to make a musical score ‘come alive’, and sound musical and expressive? It argues that expression derives from five main sources, collectively referred to as the GERMS model: generative rules (G) that mark the structure in a musical manner; emotional expression (E) that serves to convey emotions to listeners; random fluctuations (R) that reflect human limitations in motor precision; motion principles (M) which hold that tempo changes should follow natural patterns of human movement, such as gestures; and stylistic unexpectedness (S) that reflects a performer's deliberate attempt to deviate from stylistic expectations regarding performance conventions to add tension and unpredictability to the performance.","PeriodicalId":227459,"journal":{"name":"Musical Emotions Explained","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musical Emotions Explained","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780198753421.003.0013","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter focuses on performance. It asks: what does it really mean to perform a piece of music? What is it that a performer is ‘adding’ to make a musical score ‘come alive’, and sound musical and expressive? It argues that expression derives from five main sources, collectively referred to as the GERMS model: generative rules (G) that mark the structure in a musical manner; emotional expression (E) that serves to convey emotions to listeners; random fluctuations (R) that reflect human limitations in motor precision; motion principles (M) which hold that tempo changes should follow natural patterns of human movement, such as gestures; and stylistic unexpectedness (S) that reflects a performer's deliberate attempt to deviate from stylistic expectations regarding performance conventions to add tension and unpredictability to the performance.