Queerscape: Embodying Landscape and Rupture in Auto/ethnography

P. Santoro
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引用次数: 2

Abstract

Auto/ethnography is not an apolitical endeavor, and as a queer researcher, I never lose sight of the sensibilities that influence my work. Leading with an explicit queer positionality and relying upon critical reflexivity, this essay focuses on my two-year fieldwork in rural, conservative Old Shawneetown, Illinois. I begin by navigating the natural landscape, illustrating how Shawneetown’s flood-ravaged landscape implicates (my) queer identity—as both a lens for reading queer sexuality and as a metaphor for queer loss. Then, I shift to the human landscape—my interactions with the town’s residents—where I feel the necessity to stifle my queer persona in favor of a performance that passes as heterosexual. Both landscape contexts position geography as a catalyst for the autobiographical, complicating issues of ethnographic dialogue, ethics, and risk—a queerscape —as divergent selves and subjectivities challenge one another in a charged, site-specific space of heteronormativity.
Queerscape:在汽车/民族志中体现景观和断裂
汽车/人种学不是一项与政治无关的努力,作为一名酷儿研究者,我从未忽视影响我工作的情感。这篇文章以明确的酷儿定位为导向,依靠批判性的反身性,重点介绍了我在伊利诺斯州保守的老肖尼镇农村两年的田野调查。我从自然景观开始,说明肖尼镇被洪水蹂躏的景观如何暗示(我的)酷儿身份——既是阅读酷儿性行为的镜头,也是酷儿丧失的隐喻。然后,我转向人类景观——我与镇上居民的互动——在那里,我觉得有必要扼杀我的酷儿角色,以支持一场异性恋的表演。这两种景观背景都将地理定位为自传体的催化剂,这些复杂的问题包括民族志对话、伦理和风险——一个酷儿景观——不同的自我和主体性在一个充满电荷的、特定地点的异性恋规范空间中相互挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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