Listening for Silence

IF 0.3
J. Pilcher
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Abstract

Abstract Silence is a method of torture in Saydnaya Military Prison. Lawrence Abu Hamdan, audio investigator and artist, interviewed former prisoners as part of investigations into the detention facility by Amnesty International and Forensic Architecture. Abu Hamdan heard testimony of torture that would neither be admissible in a law court nor appear in the news media. In response he created several works of art for which he was jointly awarded the Turner Prize in 2019. The artworks invite a critical examination of the basis on which the law of evidence enables testimony to be evaluated and excluded from legal trials. The world is assumed by the law to be comprised of people, objects and words that are ontologically discrete, and which exist independently from each other. The extent of the participation of the law in the way in which the world is constituted by mutually implicated practices of knowing and becoming is overlooked. There is inadequate engagement with the significance of the processes of legal systems for the outcomes of trials. By contrast, the work of Abu Hamdan opens encounters with a world in which subject and object are co-constituted through material and discursive entanglements. His art is an invitation to listen for the silences of others and the sounds of the law.
倾听沉默
在赛德纳亚军事监狱,沉默是一种酷刑。音频调查员和艺术家Lawrence Abu Hamdan采访了前囚犯,这是大赦国际和Forensic Architecture对拘留设施进行调查的一部分。阿布·哈姆丹听到的酷刑证词既不会在法庭上被采纳,也不会出现在新闻媒体上。作为回应,他创作了几件艺术作品,并因此在2019年被联合授予特纳奖。这些艺术品引发了对证据法的基础的批判性审查,证据法使证词能够被评估并排除在法律审判之外。法律假定世界是由人、物和词组成的,它们在本体论上是离散的,彼此独立存在。法律在世界由相互关联的认识和成为的实践构成的方式中的参与程度被忽视了。没有充分认识到法律制度程序对审判结果的重要性。相比之下,阿布哈姆丹的作品开启了与一个世界的相遇,在这个世界里,主体和客体通过物质和话语的纠缠而共同构成。他的艺术是一种邀请,去倾听他人的沉默和法律的声音。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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