Satire writes ‘woman’: Gendersong

J. Henderson
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引用次数: 18

Abstract

Satire is not ‘about’ women (or even ‘Woman’). But it is tied into social discourse on gender. If you ask me, feminism has it knocked into a cocked hat. 1. Roman, Human, Man: The important thing is to have said I AM I, or even I AM AN I THAT IS IN WITH THE CROWD THAT LIKES TO SAY I AM LIKE THIS It is not, I suppose, difficult to state the principle that no text can simply report, image, reflect or document the ‘position’ of women in culture. Nor would it be difficult to show that all writings, ancient or modern, are implicated in this truth. I feel it as I write, feel it as you read this. In the first place, texts always do both more and less than ‘report’ – about anything. There could not be a text recognisable as a text which just offered information indifferently as to its recipients, impersonally so far as its authorship is concerned, neutrally in terms of its role within the social, political, cultural discourses which empower it to speak.
讽刺作品写着“女人”:性别之歌
讽刺不是“关于”女人(甚至不是“女人”)。但它与社会对性别的讨论息息相关。如果你问我的话,我认为女权主义已经被打上了一个三角帽。1. 罗曼、人类、男人:重要的是要说“我是我”,或者甚至说“我是一个我,我是一个和喜欢说“我是这样”的人群在一起的人。我想,要陈述这样一个原则并不困难,即没有任何文本可以简单地报道、描绘、反映或记录女性在文化中的“地位”。不难证明,古今所有的著作都与这一真理有关。我在写的时候有这种感觉,你读的时候也有这种感觉。首先,文本总是既多又少地“报告”任何事情。不可能有一种文本被认为只是冷漠地向接受者提供信息,就其作者而言是客观的,就其在社会,政治,文化话语中的作用而言是中立的,这些话语赋予了它说话的权力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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