Unique Lassoing Scene from the Mastaba of Akhmerutnisut at Giza (G 2184)

I. Torres
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Abstract

This article analyzes a unique scene from the Giza mastaba of Akhmerutnisut (G 2184), which shows a life-size depiction of the tomb owner holding a rope, ready to throw a lasso. The active participation of the tomb owner in a lassoing scene is unique in the iconographic program of Fifth Dynasty elite tombs. The location of this scene within the mastaba is also unparalleled: it is the first scene on the right (west side) encountered by visitors as they enter the mastaba. To understand this innovative decorative choice, this paper starts by discussing the iconography of lassoing in the Old Kingdom and its meaning in the elite tombs of the same period. The second part of this paper analyzes Akhmerutnisut’s lassoing scene with an analytical framework drawn from visual and material culture studies and focusing on the concepts of monumentality, identity and agency. This study provides a number of possible explanations—none of which are mutually exclusive—to understand why Akhmerutnisut had himself depicted as a monumental lassoer by the entrance of his funerary complex, highlighting the importance of visitor experience and participation in the design of the funerary complexes of the Old Kingdom elite.
吉萨Akhmerutnisut马斯塔巴独特的套索场景(g2184)
本文分析了Akhmerutnisut吉萨马斯塔巴(g2184)的一个独特场景,该场景显示了一个真人大小的墓主手持一根绳子,准备投掷套索的描绘。墓主积极参与套索场景在五代精英墓葬的肖像画中是独一无二的。这个场景在马斯塔巴的位置也是无与伦比的:它是游客进入马斯塔巴时遇到的第一个场景(西侧)。为了理解这种创新的装饰选择,本文首先讨论了古王国的套索图像及其在同一时期精英坟墓中的意义。本文第二部分以视觉文化和物质文化研究为分析框架,重点关注纪念性、身份和代理的概念,对艾哈默鲁特尼斯特的套索场景进行分析。这项研究提供了许多可能的解释——没有一个是相互排斥的——来理解为什么Akhmerutnisut把自己描绘成一个巨大的拉索人,在他的葬礼综合体的入口处,突出了游客体验和参与设计古王国精英葬礼综合体的重要性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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