Journey to the East: A Review of Hollywood’s Film Localization Efforts for China’s Film Market

Xu Song
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Abstract

The film market of China has been growing rapidly and is now the world’s second largest film market. Hollywood studios have been sending transnational films to China to receive additional revenues. This research investigates the three channels (i.e., flat-rate buyouts, co-productions, and revenue-sharing titles) through which Hollywood studios can enter their films in China’s film market and reviews the China-focused localization efforts that Hollywood studios have made to appeal to China. The review findings show that exporting Hollywood films to China as revenue-sharing titles has become the favorite approach for major Hollywood studios to gain additional revenues. To improve revenue-sharing films’ box-office performance, localization efforts of Hollywood studios are executed throughout a film’s theatrical life cycle, from a film’s planning and production stages to its distribution, promotion, and exhibition stages. Implications and suggestions as to how Hollywood studios can further utilize film localization efforts to enhance box-office success in China are also discussed in the present study.
《东方之旅》:好莱坞电影在中国电影市场的本土化努力回顾
中国电影市场发展迅速,现已成为世界第二大电影市场。好莱坞电影公司一直在向中国输出跨国电影,以获得额外收入。本研究调查了好莱坞电影公司进入中国电影市场的三种渠道(即固定价格收购、合拍片和收入分成),并回顾了好莱坞电影公司为吸引中国而做出的以中国为重点的本土化努力。调查结果显示,将好莱坞电影以收入分成的形式出口到中国,已成为好莱坞主要电影公司获得额外收入的首选方式。为了提高收益分成电影的票房表现,好莱坞电影公司的本土化工作贯穿于电影的整个影院生命周期,从电影的规划和制作阶段到发行、推广和放映阶段。本文还讨论了好莱坞电影公司如何进一步利用电影本土化努力来提高中国票房的启示和建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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