Kuasa Wacana dan Dialogis Tokoh “aku” dalam Le Dernier Jour d’un condamné

Hendra Kaprisma
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Abstract

This article discusses the work of Victor-Marie Hugo entitled Le dernier jour d'un condamné " (1829). This novel tells about a death row inmate (the "I" character) who experiences an inner struggle about his desire to be free. The power of discourse and dialogue carried out by the character in the novel is the focus of analysis in this paper. The concept of power of discourse refers to Michel Foucault's thoughts and dialogical concepts adopted from Mikhail Bakhtin. This study seeks to dismantle hidden ideas as social criticism presented by the “I” character. The words that describe the anxieties of “I” seem to form a dialogue between the text and the reader. Literary readers are invited to take part in the struggle of my character's thinking about his freedom. The meaning dispute of freedom discourse that wrestles in thought becomes a condition for the formation of dialogue between the reader and the text. Therefore, the dialogic perspective makes a social literary text so that the discourse is not isolated in structure.
本文讨论了维克多·玛丽·雨果1829年的作品《谴责》(Le dernier jour d’un condamnnel)。这部小说讲述了一个死刑犯(“我”的角色)在渴望自由的内心斗争中经历的故事。小说中人物的话语和对话的力量是本文分析的重点。话语权力概念是指福柯的思想和巴赫金的对话概念。本研究试图拆解由“我”字所呈现的社会批判的隐性观念。这些描述“我”焦虑的词语似乎在文本和读者之间形成了一种对话。文学读者被邀请参与我的角色思考他的自由的斗争。在思想中角力的自由话语的意义之争成为读者与文本之间形成对话的条件。因此,对话视角构成了一个社会文学文本,使话语在结构上不是孤立的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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