A Study on Grievance-resolution for Women in Daesoon Thought: Focusing on Choi Song-sul-dang, a Female Writer from the Early 20th Century

Bo-youn Lim
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Abstract

This study is a novel attempt at a fusion of female-authored Chinese poetry and Daesoon Thought. Notably, this has style of fusion has never been attempted in classical literature studies or in studies on Daesoon Thought. This study will also clarify the the key concept of grievance-resolution ( 解冤 haewon) in Daesoon Jinrihoe through comparison with classical works. Choi Song-seoldang’s poetry that was composed in the early 20th century, contemporaneous the emergence of Daesoon Thought, is analyzed here via the concepts of ‘tranquility ( 平 pyeong)’ and ‘harmony ( 和 hwa)’ under the framework of grievance-resolution for women. An effort is made to find a point of progression towards familial harmony ( 家和 gahwa) and Mutual Beneficence ( 相生 sangsaeng). Resentment ( 恨 han) the perspective of a woman was expressed in her works such as Wang So-gun’s Resentment ( 昭君 怨 sogunwon), Self-Report ( 自述 Jasul), and An Original Rhyme of Song Seol-dang ( 松雪堂原韻 Song Seol-dang Won-un). Works such as Wishes on the First Day of New Year ( 元朝祝 wonjochuk) and A Spontaneous Poem ( 偶吟 Ueum) expressed the contents of wishing for familial peace. In the process of trying to resolve the grievances ( 冤 won) of her family, Song Seol-dang faced limitations, and felt resentment ( 恨 han) for her inability to become a man. She strived her whole life to embody ‘tranquility’ and ‘harmony’ as both are crucial components of achieving familial harmony. This thesis has an important significance in terms of academic expansion via the convergence of literature and ideas. In terms of Daesoon Thought, it is meaningful to examine concepts and literature within a context of fusion because this goes beyond research that focuses only on theory or ideology. It is also meaningful to confirm aspects of Daesoon Thought through the life and culture of the still traditional early modern era and to reveal how it still has the present-day significance that transcends time.
大宣思想中的女性排忧解难研究——以20世纪初女作家崔松淑堂为例
本研究是中国女性创作诗歌与大逊思想融合的一次新颖尝试。值得注意的是,这种融合的风格在古典文学研究和大宣思想研究中从未尝试过。本研究亦将透过与经典作品的比较,厘清《大宣真日会》中“解冤”的关键概念。与大宣思想产生同时代的20世纪初,崔松世堂的诗歌在女性排解冤屈的框架下,通过“宁静”和“和谐”的概念进行分析。人们努力寻找一个迈向家庭和谐和相互恩泽的进步点。怨恨(恨汉族)的角度来看一个女人在她的作品表达了如王So-gun的怨恨(昭君怨sogunwon),自我报告(自述Jasul),和一个原韵歌Seol-dang(松雪堂原韻歌Seol-dang Won-un)。《新年第一天的愿望》和《一首自发的诗》等作品表达了希望家庭和平的内容。在试图解决家人的不满(won)的过程中,宋雪当(Song Seol-dang)面临着限制,并对自己无法成为男人感到怨恨(han)。她一生都在努力体现“宁静”和“和谐”,因为这两者是实现家庭和谐的关键组成部分。本文在文献与思想衔接的学术拓展方面具有重要意义。从“大宣思想”的角度看,超越了只关注理论或意识形态的研究,在融合的背景下审视概念和文学是有意义的。通过传统的近代早期的生活和文化来确认大宣思想的各个方面,揭示它如何仍然具有超越时间的现代意义,也是有意义的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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