THE RISING GENERATION, TOUSSAINT LOUVERTURE, AND THE PROBLEM OF FUNDING

A. G. Sepinwall
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引用次数: 0

Abstract

This chapter focuses on films about the Haitian Revolution by emerging Haitian filmmakers, working with tiny budgets. It analyzes a trio of documentaries on Toussaint Louverture from Haitian filmmakers Maksaens Denis, Kendy Vérilus and Pierre Lucson Bellegarde. Drawing on the contents of these films, as well as interviews with the directors, the chapter notes differences between their approaches to the Revolution and those of non-Haitian films on the subject, especially concerning the extent to which France’s Revolution prompted Haiti’s. The chapter also discusses how funding and infrastructure challenges have hindered the growth of Haitian cinema, and it introduces other digital genres, such as animation, through which young Haitians have depicted colonial Saint-Domingue and the Revolution. Finally, the chapter examines thwarted efforts by Haitian filmmakers to make epics on the Revolution.
新一代,杜桑·卢维杜尔,还有资金问题
这一章的重点是关于海地革命的电影由新兴的海地电影人,与小预算工作。它分析了三部关于杜桑·卢维杜尔的纪录片,这三部纪录片分别由海地电影制作人马克桑·丹尼斯、肯迪·维萨里鲁斯和皮埃尔·卢森·贝勒加德执导。根据这些电影的内容,以及对导演的采访,本章指出了他们对革命的态度与非海地电影在这一主题上的差异,特别是关于法国革命在多大程度上推动了海地的革命。本章还讨论了资金和基础设施方面的挑战如何阻碍了海地电影的发展,并介绍了其他数字类型,如动画,海地年轻人通过动画描绘了殖民时期的圣多明各和革命。最后,本章考察了海地电影人制作革命史诗的努力受挫。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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