Splice and the platformization of hip hop production: Navigating the online music platform for royalty-free samples

Alexandria Arrieta
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Abstract

As a large marketplace of royalty-free samples, the music platform Splice has worked to centralize and open up the process of hip hop production to over 4 million users, varying from beginning bedroom producers to established producers like Turbo (who has worked on tracks for artists including Young Thug, Gunna and Lil Baby). Founded by sound engineer Matt Aimonetti and GroupMe co-founder Steve Martocci in 2013, Splice experienced extreme growth during the COVID-19 pandemic as more aspiring producers took up beat-making from home. Hip hop producers have long used the internet to exchange and sell samples for beat production through direct messaging, sample blogs and sample marketplaces. While these digital exchanges have enabled quicker collaboration and accessibility for producers, they have also set the groundwork for companies like Splice to have an unprecedented influence in musical interactions and activity. Online platforms geared towards hip hop production and beat-making are becoming increasingly critical to the music industry, offering an important opportunity to examine digital creative economies and the platformization of cultural production. Splice incorporates features such as curation and algorithmic recommendation of samples to aid creators in their production process. Through interviews with producers who use Splice and a critical analysis of the platform’s user experience, this article demonstrates that producers can feel the need to strike a balance when engaging with the platform, finding ways to use automated tools that make their work more efficient while simultaneously striving to maintain high standards of individual creativity and technical skills. This suggests that it is necessary to have a nuanced understanding of Splice’s impact on music production and how it differs from streaming platforms because of its particular logics and functionalities geared towards music creators as a primary userbase.
拼接和嘻哈音乐制作的平台化:为免版税样品导航在线音乐平台
作为一个免费样品的大型市场,音乐平台Splice一直致力于向400多万用户集中和开放嘻哈音乐制作过程,从初级卧室制作人到像Turbo这样的成熟制作人(他曾为包括Young Thug, Gunna和Lil Baby在内的艺术家制作歌曲)。Splice由音响工程师Matt Aimonetti和GroupMe联合创始人Steve Martocci于2013年创立,在COVID-19大流行期间,随着越来越多有抱负的制作人开始在家制作节拍,Splice经历了极大的增长。Hip - hop制作人长期以来一直利用互联网通过直接通讯、样本博客和样本市场来交换和销售节拍制作的样本。虽然这些数字交流为制作人提供了更快的合作和可访问性,但它们也为Splice等公司在音乐互动和活动中产生前所未有的影响力奠定了基础。面向嘻哈制作和节奏制作的在线平台对音乐产业越来越重要,为研究数字创意经济和文化生产平台化提供了重要机会。Splice整合了样本管理和算法推荐等功能,以帮助创作者完成制作过程。通过对使用Splice的制作人的采访以及对该平台用户体验的批判性分析,本文表明制作人在与该平台互动时需要保持平衡,找到使用自动化工具的方法,使他们的工作更有效率,同时努力保持高标准的个人创造力和技术技能。这表明有必要细致入微地了解Splice对音乐制作的影响,以及它与流媒体平台的不同之处,因为它的特定逻辑和功能面向音乐创作者作为主要用户群。
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