An Airy Imagination in Children’s Poetry by Oh Soon-taek: Focusing on Olfactory and Auditory Languages

Jung-ae Shin
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Abstract

The poet, Oh Soon-taek pursues beauty, purity, and brightness, features of human’s nature in his children’s poetry. There are frangrances and sounds on the foundation of the beauty, purity, and brightness. He makes his readers dream new things and opens an entry for them to experience new world of imagination, through olfactory and auditory images. Fresh airy embodiment provides readers invigoration, definitely. Therefore, this study aims to analyze olfactory and auditory languages focusing on the entire poems of Oh Soon-taek and to trace airy imagination expressed in his children’s poetry. Though the poetic words related to fragrances are not signified in the poet’s works, he is not afraid of trying freely to olfactoryize hearing and to auditoryize olfaction. In addition, he is a subject who experiences more diverse auditory illusions than actual hearing and nature is like a mouth containing every auditory element to him. As mentioned above, the poet puts richly attractive fragrances and sounds in nature with his own imagination, and they are tied in his fantasy world as embodiment of infinite words and images in spite of no forms. Like this, Oh Soon-taek’s poetry showing the images of hearing and olfaction at the same time awake all things and make them live and breathe. There are fun as well as philosophy of life in the poet’s works. They open our eyes to forgotten realities and show freedom when feeling lightness from the materials offering happiness of small things. This is well expressed in Bell Sounds which hopes “all the sounds in the world will be pure like first cry of a newborn baby.” Sounds have no weight. Many things are put down, and then, there is a clean sound. How much this poem resounds! When reading the poet Oh Soon-taek’s poetry, our ears become clean. When we would rather hear it than read it through eyes, we seem to hear pure and bright sounds in the world. In addition, his collection of poems expressing love with fragrances contains lots of perfumes of flowers, grasses, and trees, awaking his readers’ olfactory sense. Someone says sounds last longest and fragrances last for a long and long time. His children’s poems reflecting universality of human emotions will be remembered as sounds or as fragrances to us.
吴顺泽儿童诗歌中的空灵想象:以嗅觉语言和听觉语言为中心
诗人吴顺泽在他的儿童诗中追求人性的美、纯洁、光明。在美丽、纯洁和明亮的基础上有芳香和声音。他通过嗅觉和听觉图像,让读者梦想新的事物,为他们打开了一个体验想象新世界的入口。清新空气的体现无疑给读者带来了精神上的振奋。因此,本研究旨在以吴顺泽的全部诗歌为中心,分析其嗅觉语言和听觉语言,并追溯其儿童诗歌中所表达的空灵想象。虽然在诗人的作品中,与香味相关的诗意词语并没有得到体现,但他并不害怕自由地尝试嗅觉化听觉和听觉化嗅觉。此外,他是一个体验到比实际听觉更多样化的幻听的主体,大自然对他来说就像一个包含了所有听觉元素的嘴巴。如上所述,诗人用自己的想象将丰富诱人的香味和声音放入大自然中,它们作为无限的文字和图像的化身,尽管没有形式,却被捆绑在他的幻想世界中。就这样,吴舜泽的诗同时展现了听觉和嗅觉的意象,唤醒了万物,使万物有了生命和呼吸。这位诗人的作品中既有趣味,也有人生哲理。它们打开我们的眼睛,让我们看到被遗忘的现实,从物质中感受到轻盈,从小事中感受到快乐,展现出自由。这在《钟声》中得到了很好的表达,它希望“世界上所有的声音都像新生儿的第一声哭声一样纯净”。声音没有重量。很多东西都放下了,然后,就有了干净的声音。这首诗多么响亮啊!读诗人吴舜泽的诗,我们的耳朵会变得干净。当我们宁愿听而不是用眼睛看的时候,我们似乎听到了世界上纯净而明亮的声音。此外,他的《用香气表达爱情》诗集中有许多花、草、树的香气,唤醒了读者的嗅觉。有人说声音会持续很长时间,香味会持续很长时间。他的儿童诗歌反映了人类情感的普遍性,将像声音或芬芳一样被我们铭记。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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