{"title":"Re-inventing and Re-shaping the Symphony Orchestra for Sustainability","authors":"Gerald Ng Kea Chye","doi":"10.30819/5319.08","DOIUrl":null,"url":null,"abstract":"\n The performing arts industry has always been an ever-evolving industry due to the creative\nnature of this industry. Although the symphony orchestra has not seen much physical dramatic\nchanges since perhaps the late 1800’s, current events worldwide such as the outbreak of the\nCovid-19 pandemic, the economic uncertainty as well as technological advancements has seen\nthe operations of many symphony orchestras hitting the pause button, many unsure if the\norchestra might resume their operations. Symphony orchestras worldwide are forced to come out\nwith various ideas to re-invent and re-shape itself.\nThis paper aims to examine the possibilities of how a symphony orchestra, an institution that is\nheavily dependent on audiences filling up their concerts is re-inventing itself in order to sustain\ntheir very existence. Ongoing efforts such as digitalising ‘live’ concerts through digital platforms\nand other arising issues such as choice of technological equipment, cost and revenue as well as\nthe perception of orchestral musicians and audiences of such re-invention and re-shaping of the\nsymphony orchestra will be discussed. The findings from this paper may be used to further\ndevelop the ideas of re-invention and re-shaping symphony orchestras based on the demands\nand needs of each individual orchestra.\n\n","PeriodicalId":167203,"journal":{"name":"Wie wir leben wollen. Kompendium zu Technikfolgen von Digitalisierung, Vernetzung und Künstlicher Intelligenz","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Wie wir leben wollen. Kompendium zu Technikfolgen von Digitalisierung, Vernetzung und Künstlicher Intelligenz","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30819/5319.08","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The performing arts industry has always been an ever-evolving industry due to the creative
nature of this industry. Although the symphony orchestra has not seen much physical dramatic
changes since perhaps the late 1800’s, current events worldwide such as the outbreak of the
Covid-19 pandemic, the economic uncertainty as well as technological advancements has seen
the operations of many symphony orchestras hitting the pause button, many unsure if the
orchestra might resume their operations. Symphony orchestras worldwide are forced to come out
with various ideas to re-invent and re-shape itself.
This paper aims to examine the possibilities of how a symphony orchestra, an institution that is
heavily dependent on audiences filling up their concerts is re-inventing itself in order to sustain
their very existence. Ongoing efforts such as digitalising ‘live’ concerts through digital platforms
and other arising issues such as choice of technological equipment, cost and revenue as well as
the perception of orchestral musicians and audiences of such re-invention and re-shaping of the
symphony orchestra will be discussed. The findings from this paper may be used to further
develop the ideas of re-invention and re-shaping symphony orchestras based on the demands
and needs of each individual orchestra.