Rumour – and (Dis)-Unities of Blackness: A Reading of Globalization in Mia Couto’s The Last Flight of the Flamingo

Abstract

This article examines how Mia Couto uses representations of rumour in his novel The Last Flight of the Flamingo (2004) as a literary medium for interrogating detachment and/ or attachment of the cultural object/ subject of blackness to modern institutions of Africa and the West through the idea of globalization. The article uses the qualitative research methodology for interrogating the efficacy of the representations of rumour in portraying the idea of globalisation. Through textual analysis, the article examines how the author uses the detached large male sexual organ, discovered outside Tizangara, an imagined remote Mozambican town, to encapsulate the rumour about the cases of some missing United Nations peacekeeping soldiers to the fictionalized idea of globalisation. The United Nations’ commissioned inquiry on the missing soldiers precipitates a parading of the local, national and the international delegation around the severed male sexual organ.