Generative AI and Algorithmic Art: Disrupting the Framing of Meaning and Rethinking the Subject-Object Dilemma

James Hutson, Morgan Harper Nichols
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引用次数: 2

Abstract

In the revision of treatments of contemporary art in the 21st century, art historians are recognizing 2022 as the dawn of the age of creative artificial intelligence (AI). The emergence of generative AI tools like ChatGPT and Stable Diffusion in late 2022 immediately disrupted the established practices of the art world, leading to debates about the validity of "AI Art" and the emergence of a new market for NFTs. However, fears regarding the "death of the artist" are unwarranted when considering the historical adoption of new technologies by artists, such as photography. The role of the artist will undoubtedly transform, and the definition of "art" will be redefined once again. To better understand how AI generative art will impact traditional art-making practices, this study will present an AI generative art development pipeline and provide recommendations for future technical and theoretical considerations of the subject-object dilemma in art through a post structuralist reading of reception theory.
生成式人工智能与算法艺术:打破意义框架,重新思考主客体困境
在21世纪对当代艺术的评价上,艺术史家们认为2022年是创造性人工智能(AI)时代的开端。2022年底,ChatGPT和Stable Diffusion等生成式人工智能工具的出现,立即打破了艺术界的既定做法,引发了关于“人工智能艺术”有效性的争论,并出现了一个新的nft市场。然而,考虑到艺术家对摄影等新技术的历史采用,对“艺术家之死”的担忧是没有根据的。艺术家的角色无疑将发生转变,“艺术”的定义将再次被重新定义。为了更好地理解人工智能生成艺术将如何影响传统的艺术创作实践,本研究将提出人工智能生成艺术的发展管道,并通过对接受理论的后结构主义阅读,为艺术中主客体困境的未来技术和理论考虑提供建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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