Appalachian, Southern, Universal, Global: The Case of Fred Chappell

Marcel Arbeit
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Abstract

The article discusses the universal and global features of southern and Appalachian literature. As various southern writers confirmed in a 1980 poll, good regional writing must have a broad appeal and focus on universal problems, without neglecting to deal with specific local details, including dialects. Fred Chappell, a short story writer, novelist, poet, and essayist from North Carolina, who often claims to be an Appalachian author rather than a southern one, pursues the goal of universality through the use of oral history. Exploiting the traditional Appalachian folk genre of a windy, a local version of a tall tale, in some of his short stories he turns to universal motifs, listed, for example, in Stith Thompson’s motif index. Analyzing two of Chappell’s short stories, “The Storytellers” (including its early version “Elmer and Buford”) and “Simples,” the article focuses on the ability of motifs to travel around the world.
阿巴拉契亚,南方,环球,全球:弗雷德·查普尔案例
本文探讨了南方和阿巴拉契亚文学的普遍性和全球性特征。正如许多南方作家在1980年的一次民意调查中所证实的那样,好的地方写作必须具有广泛的吸引力,关注普遍的问题,而不忽视处理具体的地方细节,包括方言。弗雷德·查佩尔(Fred Chappell)是一位来自北卡罗来纳州的短篇小说作家、小说家、诗人和散文家,他经常声称自己是阿巴拉契亚作家,而不是南方作家,他通过使用口述历史来追求普遍性的目标。在他的一些短篇小说中,他利用传统的阿巴拉契亚民间风格,即当地版本的荒诞故事,转向普遍的主题,例如,在Stith Thompson的主题索引中列出的主题。本文分析了查普尔的两部短篇小说《讲故事的人》(包括其早期版本《埃尔默和布福德》)和《辛普森一家》,重点关注主题环游世界的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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