{"title":"Autorretrato femenino: espacios y mentes encarcelados","authors":"Jessica Janeiro Obernyer","doi":"10.24310/eviternare.v0i5.8088","DOIUrl":null,"url":null,"abstract":"espanolEste articulo examina la obra de Francesca Woodman y Rebecca Horn, relacionando el trabajo de ambas y estableciendo conexiones entre sus creaciones y sus biografias, entre su obra y su “yo”. En sus practicas artisticas crean entornos claustrofobicos que evocan carceles. Estos entornos reflejan su “yo” mas interno, sus traumas y su ansiedad. A traves de la simbiosis del cuerpo y el espacio se retratan a si mismas, difuminando de esta manera los limites entre el “yo” y el mundo externo, entre la psique y el lugar habitado. Al analizar en detalle su obra y sus vidas este articulo plantea la idea de que su creacion pueda interpretarse como una autobiografia dinamica y visual, como un autorretrato cinetico y psicologico de estas dos artistas. EnglishThis article examines Francesca Woodman and Rebecca Horn’s oeuvre, establishingconnections between their work, their work and their biographies, their artworks and their selves. In their art practices, they create prison-like and claustrophobic environments that reflect their inner selves, their traumas and their anxieties. Through the embodiment of space, they portray themselves, thus, blurring the limits between inner self and outer world, between body and space. By closely analysing their work and their lives, this article sets forth the idea that their work can be read as a dynamic and visual autobiography, as kinetic and psychological self-portraits of these two female artists.","PeriodicalId":155872,"journal":{"name":"Revista Eviterna","volume":"33 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Eviterna","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24310/eviternare.v0i5.8088","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
espanolEste articulo examina la obra de Francesca Woodman y Rebecca Horn, relacionando el trabajo de ambas y estableciendo conexiones entre sus creaciones y sus biografias, entre su obra y su “yo”. En sus practicas artisticas crean entornos claustrofobicos que evocan carceles. Estos entornos reflejan su “yo” mas interno, sus traumas y su ansiedad. A traves de la simbiosis del cuerpo y el espacio se retratan a si mismas, difuminando de esta manera los limites entre el “yo” y el mundo externo, entre la psique y el lugar habitado. Al analizar en detalle su obra y sus vidas este articulo plantea la idea de que su creacion pueda interpretarse como una autobiografia dinamica y visual, como un autorretrato cinetico y psicologico de estas dos artistas. EnglishThis article examines Francesca Woodman and Rebecca Horn’s oeuvre, establishingconnections between their work, their work and their biographies, their artworks and their selves. In their art practices, they create prison-like and claustrophobic environments that reflect their inner selves, their traumas and their anxieties. Through the embodiment of space, they portray themselves, thus, blurring the limits between inner self and outer world, between body and space. By closely analysing their work and their lives, this article sets forth the idea that their work can be read as a dynamic and visual autobiography, as kinetic and psychological self-portraits of these two female artists.
这篇文章考察了弗朗西斯卡·伍德曼和丽贝卡·霍恩的作品,将他们的作品联系起来,并在他们的创作和传记之间,在他们的作品和他们的“我”之间建立联系。在他们的艺术实践中,他们创造了让人想起监狱的幽闭恐怖环境。这些环境反映了他们内心的“我”、创伤和焦虑。通过身体和空间的共生关系,他们描绘了自己,从而模糊了“我”和外部世界、心灵和居住的地方之间的界限。通过对他们的作品和生活的详细分析,本文提出了一个想法,即他们的创作可以被解释为一个动态和视觉的自传,作为这两位艺术家的动态和心理自画像。这篇文章考察了弗朗西斯卡·伍德曼和丽贝卡·霍恩的作品,建立了他们的作品、他们的作品和他们的传记、他们的艺术作品和他们自己之间的联系。在他们的艺术实践中,他们创造了类似监狱和幽闭恐怖的环境,反映了他们的内心、创伤和焦虑。Through the embodiment of space, they山区为界限,因此,blurring between穿行self和外部世界之间的body and space。就由closely分析工作和付出生命代价,这条集forth the主意that their work can be read视觉autobiography dynamic and, as kinetic and心理学self-portraits of two女性艺术家。