{"title":"McKim, Mead & White","authors":"Richard G. Wilson","doi":"10.1093/gao/9781884446054.article.t052891","DOIUrl":null,"url":null,"abstract":"The New York partnership of Charles Follen McKim (b. 1847–d. 1909), William R. Mead (b. 1846–d. 1928), and Stanford White (b. 1853–d. 1906) became one of the most important architectural firms in the United States from the late 1870s to the 1920s, producing more than one thousand buildings. McKim and White were the principal designers and Mead ran the office crew, which at times numbered more than 200 employees. They helped to introduce into the United States an interest in early American architecture and were instrumental in creating what came to be known as the Colonial Revival style with houses in resorts such as Newport, Rhode Island and the New Jersey seashore as well as in New York and Boston. Their early work was picturesque, frequently covered with wooden shingles, but in the mid-1880s they moved toward a more formal approach as seen in the Georgian for houses. Classicism based upon European precedents became dominant by the mid-1880s with works such as the Villard houses in New York and the Boston Public Library, which became one of the most celebrated buildings in the United States. Very involved in the World’s Columbian Exposition in Chicago in 1893 they helped in establishing classicism derived from the teachings of the École des Beaux-Arts in Paris, which McKim attended in the later 1860s. Their work grew in scale with the design of the new campus of Columbia University and New York University in the Bronx, along with other major projects such as Pennsylvania Station. McKim directed the renovations of the White House and also served as a member of the McMillan Commission for the renewal of Washington, DC, which served a major influence on the Civic Art, or City Beautiful, Movement. All three of the partners were close friends with leading artists and sculptors and they designed the bases for major monuments. Following the deaths of White and McKim and Mead’s retirement in 1916, the firm continued for many years under the leadership of several men who had worked closely the partners, such as William Mitchell Kendall, Burt Leslie Fenner, and William S. Richardson. The last building designed under the firm’s name was the American History Museum (1955–1964) of the Smithsonian Institution in Washington, DC.","PeriodicalId":381256,"journal":{"name":"Architecture, Planning, and Preservation","volume":"39 3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Architecture, Planning, and Preservation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/gao/9781884446054.article.t052891","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The New York partnership of Charles Follen McKim (b. 1847–d. 1909), William R. Mead (b. 1846–d. 1928), and Stanford White (b. 1853–d. 1906) became one of the most important architectural firms in the United States from the late 1870s to the 1920s, producing more than one thousand buildings. McKim and White were the principal designers and Mead ran the office crew, which at times numbered more than 200 employees. They helped to introduce into the United States an interest in early American architecture and were instrumental in creating what came to be known as the Colonial Revival style with houses in resorts such as Newport, Rhode Island and the New Jersey seashore as well as in New York and Boston. Their early work was picturesque, frequently covered with wooden shingles, but in the mid-1880s they moved toward a more formal approach as seen in the Georgian for houses. Classicism based upon European precedents became dominant by the mid-1880s with works such as the Villard houses in New York and the Boston Public Library, which became one of the most celebrated buildings in the United States. Very involved in the World’s Columbian Exposition in Chicago in 1893 they helped in establishing classicism derived from the teachings of the École des Beaux-Arts in Paris, which McKim attended in the later 1860s. Their work grew in scale with the design of the new campus of Columbia University and New York University in the Bronx, along with other major projects such as Pennsylvania Station. McKim directed the renovations of the White House and also served as a member of the McMillan Commission for the renewal of Washington, DC, which served a major influence on the Civic Art, or City Beautiful, Movement. All three of the partners were close friends with leading artists and sculptors and they designed the bases for major monuments. Following the deaths of White and McKim and Mead’s retirement in 1916, the firm continued for many years under the leadership of several men who had worked closely the partners, such as William Mitchell Kendall, Burt Leslie Fenner, and William S. Richardson. The last building designed under the firm’s name was the American History Museum (1955–1964) of the Smithsonian Institution in Washington, DC.
查尔斯·福伦·麦金(生于1847年至1847年)在纽约的合伙企业。William R. Mead(生于1846-d)。1928年)和斯坦福·怀特(生于1853年)。从19世纪70年代末到20世纪20年代,它成为美国最重要的建筑公司之一,建造了1000多座建筑。麦金姆和怀特是首席设计师,米德负责管理办公室的工作人员,团队人数有时超过200人。他们帮助将对早期美国建筑的兴趣引入美国,并在创造被称为殖民复兴风格的房屋方面发挥了重要作用,这些房屋在纽波特、罗德岛、新泽西海岸以及纽约和波士顿等度假胜地都有。他们早期的作品是风景如画的,经常覆盖着木瓦,但在19世纪80年代中期,他们转向了一种更正式的方法,就像在格鲁吉亚的房子中看到的那样。以欧洲先例为基础的古典主义在19世纪80年代中期占据主导地位,如纽约的维拉德住宅和波士顿公共图书馆,后者成为美国最著名的建筑之一。他们参与了1893年在芝加哥举行的世界哥伦比亚博览会,帮助建立了源自巴黎École des Beaux-Arts教学的古典主义,McKim在19世纪60年代后期参加了该展览。随着哥伦比亚大学和纽约大学在布朗克斯的新校区的设计,以及宾夕法尼亚车站等其他主要项目,他们的工作规模不断扩大。McKim指导了白宫的翻新工作,同时也是麦克米伦委员会的成员,负责华盛顿特区的重建工作,该委员会对公民艺术或城市美丽运动产生了重大影响。这三位合伙人都是著名艺术家和雕塑家的好朋友,他们设计了主要纪念碑的基座。1916年,怀特和麦金姆去世,米德退休后,事务所在几位与合伙人关系密切的人的领导下继续经营了多年,这些人包括威廉·米切尔·肯德尔、伯特·莱斯利·芬纳和威廉·s·理查森。最后一个以该公司的名义设计的建筑是华盛顿特区史密森学会的美国历史博物馆(1955-1964)。