{"title":"PREVAILING AMERICAN DEMOCRACY WITHIN AFRICAN-AMERICAN LITERATURE OF AMANDA GORMAN’S THE HILL WE CLIMB: STUART HALL’S AUDIENCE RECEPTION ANALYSIS","authors":"Alifiadita Nindyarini Wirawan, Achmad Munjid","doi":"10.22146/rubikon.v9i1.69763","DOIUrl":null,"url":null,"abstract":"The appealing part of a literary work is to enable the audience to feel emotionally connected with a literary work, leading them to produce diverse interpretations. In this respect, the occurrence of Amanda Gorman’s poem of The Hill We Climb is capable of attracting American citizens’ attention to deliver their perception of the work. The intensity of American society’s reactions can be seen in how the audience expresses their responses on YouTube. Therefore, the writer decided to analyze the phenomenon further by applying Stuart Hall’s reception theory aimed to prevail on how American society perceives the poem. Finally, the result of the analysis shows that the majority of Americans perceived the work as encouragement in refining the principles of American democracy, which were categorized as dominant readings. On the other hand, several audiences who interpreted the poem as a form of hope are included as negotiated readings that deliver different opinions but align with the poet’s perception. The last is oppositional readings that interpret the poem as a redundant work, shown by the audience’s incapability to comprehend the poem comprehensively. Briefly, the variety of the audience’s interpretations is because of diverse perceptions possessed by the audience in perceiving the message of democracy within the poem, which is influenced by their backgrounds.","PeriodicalId":269997,"journal":{"name":"Rubikon : Journal of Transnational American Studies","volume":"2015 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rubikon : Journal of Transnational American Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22146/rubikon.v9i1.69763","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The appealing part of a literary work is to enable the audience to feel emotionally connected with a literary work, leading them to produce diverse interpretations. In this respect, the occurrence of Amanda Gorman’s poem of The Hill We Climb is capable of attracting American citizens’ attention to deliver their perception of the work. The intensity of American society’s reactions can be seen in how the audience expresses their responses on YouTube. Therefore, the writer decided to analyze the phenomenon further by applying Stuart Hall’s reception theory aimed to prevail on how American society perceives the poem. Finally, the result of the analysis shows that the majority of Americans perceived the work as encouragement in refining the principles of American democracy, which were categorized as dominant readings. On the other hand, several audiences who interpreted the poem as a form of hope are included as negotiated readings that deliver different opinions but align with the poet’s perception. The last is oppositional readings that interpret the poem as a redundant work, shown by the audience’s incapability to comprehend the poem comprehensively. Briefly, the variety of the audience’s interpretations is because of diverse perceptions possessed by the audience in perceiving the message of democracy within the poem, which is influenced by their backgrounds.
文学作品的魅力在于使观众与文学作品产生情感上的联系,从而产生不同的解读。在这方面,Amanda Gorman的《the Hill We Climb》这首诗的出现能够吸引美国公民的注意力,传递他们对作品的感知。从观众在YouTube上的反应可以看出美国社会的反应之激烈。因此,作者决定运用斯图亚特·霍尔的接受理论来进一步分析这一现象,旨在了解美国社会是如何看待这首诗的。最后,分析结果显示,大多数美国人认为这本书是对完善美国民主原则的鼓励,这些原则被归类为主导读物。另一方面,一些将这首诗理解为希望形式的观众被包括在协商读物中,这些读物表达了不同的观点,但与诗人的看法一致。最后一种是将诗歌解读为冗余作品的对立阅读,表现为观众无法全面理解诗歌。简而言之,受众解读的多样性是由于受众在感知诗歌中的民主信息时所拥有的不同感知,而这种感知受其背景的影响。