Women Marginalization and Political Corruption in Margaret Atwood’s the Handmaid’s Tale

Thamer Amer Jubouri Al-ogaili, Manimangai Mani, Hardev Kaur, M. Awang
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Abstract

This article examines the function of dystopia in Margaret Atwood‘s The Handmaid‘s Tale (1986). The study will mainly focus of the issues of women marginalization and political corruption by approaching the dystopia qualities in the novel. On the one hand, women marginalization is going to be identified be discussing the inferior position in society as depicted in the novel. This is because women are exploited for domestic drudgery. They lose their equality since there is no opportunity allowed for them to be as independent as men. On the other hand, the issue of political corruption will be explored to sustain the study‘s concern with novel‘s dystopian world. Accordingly, both women marginalization and political corruption will be elaborated as the dystopian peculiarities which contradict Atwood‘s style that seeks utopia society and a world that seems to be utterly corrupted. Therefore, postfeminism is going to be applied as the study‘s theoretical framework, where by women marginalization will be discussed in politically corrupted peripheries.
玛格丽特·阿特伍德《使女的故事》中的女性边缘化与政治腐败
本文考察了反乌托邦在玛格丽特·阿特伍德的《使女的故事》(1986)中的作用。研究将主要集中在女性边缘化和政治腐败的问题上,通过接近小说中的反乌托邦特质。一方面,通过讨论小说中所描述的女性在社会中的劣势地位,女性被边缘化将被识别出来。这是因为妇女被剥削做家务。她们失去了平等,因为没有机会让她们像男人一样独立。另一方面,探讨政治腐败问题,以维持研究对小说反乌托邦世界的关注。因此,女性边缘化和政治腐败都将被阐述为反乌托邦的特点,这与阿特伍德追求乌托邦社会和一个似乎彻底腐败的世界的风格相矛盾。因此,后女权主义将被作为研究的理论框架,其中女性边缘化将在政治腐败的边缘地区讨论。
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