Contemporary Conversations

J. de Gay
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Abstract

This chapter demonstrates that Woolf was highly informed about the ways in which Christianity continued to be an important cultural and political influence throughout her lifetime. Acknowledging that Christianity took many different forms – including progressive as well as conservative trends – the chapter shows that Woolf’s reaction varied accordingly. Woolf’s life and career is considered in four stages: the years of her adult life before the First World War; the War years; the 1920s; and the 1930s. In each section, the chapter sets out ways in which the public face of Christianity shifted, and how Woolf reacted to it (for example in Three Guineas), along with exploring ways in which Woolf responded to the faith and witness of people she knew. As the chapter demonstrates, Woolf’s close female friends – Violet Dickinson, Vita Sackville-West and Ethel Smyth – all played a role in shaping her spirituality and her views on religion. The chapter also shows that Woolf was aware of contemporary debates about the existence and nature of God, seen not least in her famous statement in ‘A Sketch of the Past’ that ‘certainly and emphatically there is no God’.
当代的对话
这一章表明,伍尔夫对基督教在她一生中继续成为重要的文化和政治影响的方式非常了解。承认基督教有许多不同的形式——包括进步的和保守的趋势——这一章表明伍尔夫的反应也相应不同。伍尔夫的生活和事业分为四个阶段:第一次世界大战前的成年生活;战争年代;1920年代;还有20世纪30年代。在每一个章节中,这一章都列出了基督教的公众形象发生变化的方式,以及伍尔夫对此的反应(例如在《三个基尼》中),并探讨了伍尔夫对她所认识的人的信仰和见证做出回应的方式。正如这一章所展示的,伍尔夫的亲密女性朋友——维奥莱特·狄金森、维塔·萨克维尔-韦斯特和埃塞尔·史密斯——都在塑造她的精神和她对宗教的看法方面发挥了作用。这一章还表明,伍尔夫意识到当时关于上帝存在和本质的争论,尤其是在她著名的“过去的素描”中,她说“当然,并且强调没有上帝”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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