Distopia Centrului. Transnaționalizarea Modernismului Hispano-American

Andra Gălan
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Abstract

Abstract This paper explores Hispanic American literary modernism in light of the theoretical studies of World Literature. Regarding the periphery-center relationship, prevails the idea that there is a hierarchy that positions cultures and, implicitly, literature, near the European center. The focus is on Latin American modernism because it shows that there is a dystopia of the periphery-center relationship. After all, modernism is, in fact, creation and, at the same time, an obsession with the peripheries, born of the time lag from the center. Therefore, the study will analyze the role of cultural exchanges and the division of cultural capital and it will consider the transnationalization of Latin American literature as a starting point for literary modernism.
本文从世界文学的理论研究出发,探讨西班牙裔美国文学的现代主义。关于外围-中心关系,流行的观点是,有一种等级制度,将文化,含蓄地,文学,定位在欧洲中心附近。重点是拉丁美洲的现代主义,因为它表明存在一种外围-中心关系的反乌托邦。毕竟,现代主义实际上是一种创造,同时也是一种对边缘的痴迷,源于中心的时间滞后。因此,本研究将分析文化交流的作用和文化资本的划分,并将拉丁美洲文学的跨国化视为文学现代主义的起点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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