Ornamenting Corelli

Walter S. Reiter
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Abstract

The great virtuosi of the eighteenth century were famous for their improvisational skills, although some were criticized for distorting rather than embellishing the music: examples of such criticism are quoted in this lesson. Editions of Corelli sonatas were published with ornaments added, notably Estienne Roger’s 1710 edition, but no didactic Table of Ornaments, such as the seventeenth-century ones studied earlier in this book, exists from this period. To correct this historical omission, ornaments from Roger’s edition and from William Babell’s 1725 Twelve Solos for Violin have been formed into separate Tables of Ornaments, arranged by intervals. It is hoped that students will find these useful when they are learning to ornament Italian and Italianate sonatas from the first part of the eighteenth century. The ornaments in the tables range from simple appoggiaturas to whole passaggi and advice is given on how to practice them.
科雷利Ornamenting
18世纪伟大的艺术大师以他们的即兴演奏技巧而闻名,尽管有些人被批评为扭曲而不是美化音乐:这节课中引用了这样的批评的例子。科雷利奏鸣曲的版本在出版时增加了装饰物,尤其是1710年的Estienne Roger版本,但没有像本书前面研究的17世纪装饰物表那样的说教性装饰物表,从这个时期开始存在。为了纠正这一历史遗漏,罗杰版的装饰物和威廉·巴贝尔1725年的《小提琴十二独奏》中的装饰物已经形成了单独的装饰物表,按间隔排列。希望学生们在学习装饰18世纪上半叶的意大利和意大利式奏鸣曲时能发现这些有用的东西。桌子上的装饰物从简单的配词到整段文字都有,并给出了如何使用它们的建议。
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