{"title":"What’s Love Got To Do With It?","authors":"S. Lindheim","doi":"10.1093/oso/9780198871446.003.0003","DOIUrl":null,"url":null,"abstract":"Octavian/Augustus, following in the footsteps of both Pompey and Caesar, relentlessly pursues territorial expansion abroad, while at home he presents the Roman people with the image of himself as unstoppable expansionist. In one otherwise unprepossessing poem Propertius makes a strikingly romantic assertion: Cynthia prima fuit, Cynthia finis erit (1.12.20). The word choice—finis—gives pause, especially when this particular elegy (1.12) and the ones with which Propertius surrounds it (1.8a, 1.8b, and 1.11) emphasize geographical space. To be more precise, they focus on Cynthia’s propensity to move through geographical space, away from the Propertian amator. Anxieties emerge from Propertius’ elegies when he imagines the individual faced with an infinite and ever-changing world. The Propertian amator struggles to establish and cling to the possibility of known and definable boundaries. He seeks to render Cynthia his finis and to anchor his self-definition to her.","PeriodicalId":402380,"journal":{"name":"Latin Elegy and the Space of Empire","volume":"2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Latin Elegy and the Space of Empire","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780198871446.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Octavian/Augustus, following in the footsteps of both Pompey and Caesar, relentlessly pursues territorial expansion abroad, while at home he presents the Roman people with the image of himself as unstoppable expansionist. In one otherwise unprepossessing poem Propertius makes a strikingly romantic assertion: Cynthia prima fuit, Cynthia finis erit (1.12.20). The word choice—finis—gives pause, especially when this particular elegy (1.12) and the ones with which Propertius surrounds it (1.8a, 1.8b, and 1.11) emphasize geographical space. To be more precise, they focus on Cynthia’s propensity to move through geographical space, away from the Propertian amator. Anxieties emerge from Propertius’ elegies when he imagines the individual faced with an infinite and ever-changing world. The Propertian amator struggles to establish and cling to the possibility of known and definable boundaries. He seeks to render Cynthia his finis and to anchor his self-definition to her.
屋大维/奥古斯都追随庞培和凯撒的脚步,在国外无情地追求领土扩张,而在国内,他给罗马人民留下了不可阻挡的扩张主义者的形象。在一首平淡无奇的诗中,Propertius做出了一个惊人的浪漫断言:Cynthia prima fuit, Cynthia finis erit(1.12.20)。选择——结束——这个词让人停顿了一下,特别是当这首特别的挽歌(1.12)和围绕它的Propertius (1.8a, 1.8b和1.11)强调地理空间的时候。更准确地说,他们关注的是辛西娅在地理空间中移动的倾向,远离Propertian爱好者。当普罗提乌斯想象个人面对一个无限的、不断变化的世界时,焦虑从他的挽歌中浮现出来。财产主义爱好者努力建立和坚持已知和可定义边界的可能性。他试图让辛西娅完成他的使命,并将他的自我定义锚定在她身上。