The image and role of the midwife in the ancient Greek and Byzantine art

Maria Athanasekou
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Abstract

The purpose of this paper is to discuss the function and multifaceted role of the midwife in Greek culture as portrayed in art. Traditionally, midwifery has been recognized as a female occupation in every civilization and is one of the most ancient sciences or arts. Diachronically, the midwife has always been present during labour in order to help and support the pregnant woman. Midwifery is deeply linked to the very mystery of life and its advent to the world and has always been a well-respected profession. Most ancient Greek writers speak highly of midwives and Socrates himself proudly states that he is the son of a midwife. During Byzantine times the image of the midwife continues to gain respect and recognition. Her position is greatly estimated as deduced by the presence of midwives in Byzantine icons of the nativity of Christ. Through various works of art, this paper focuses on the image and social position of the midwife in Greek art, as well as her much appreciated profession.
助产士在古希腊和拜占庭艺术中的形象和角色
本文的目的是讨论在艺术中描绘的希腊文化中的助产士的功能和多方面的作用。传统上,助产士在每个文明中都被认为是女性的职业,是最古老的科学或艺术之一。从时间上讲,助产士在分娩过程中一直在场,以帮助和支持孕妇。助产学与生命的奥秘及其降临世界有着深刻的联系,一直是一个备受尊重的职业。大多数古希腊作家都高度评价助产士,苏格拉底自己也自豪地说他是助产士的儿子。在拜占庭时期,助产士的形象继续获得尊重和认可。她的地位很大程度上是由在基督诞生的拜占庭图标中助产士的存在推断出来的。本文通过各种艺术作品,重点研究希腊艺术中助产士的形象和社会地位,以及她备受赞赏的职业。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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