The Buddhist Banner: Identity and Aestheticism in the Dimension of Meaning Reflection on the Tai Lue Ethnic Group Education

N. Klinpikul, Metta Sirisuk
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Abstract

Tung, the Buddhist banner of the Tai Lue ethnic group (TLEG), has been used for many types of worship and rituals of TLEG living in northern Thailand from the past to the present. Thus, Tung is a symbol that reflects the beliefs and faiths of TLEG. This research aimed to study the characteristics and aestheticism of Tung in the dimension reflecting the beliefs and faiths of TLEG. The in-depth data and information were obtained from the observations and interviews from the key informants, such as the leaders of communities, local philosophers, and Tung weavers of TLEG in Chiang Kham, Phayao, Thailand. It showed that commonly the characteristic shape of Tai Lue Tung is a vertical rectangle that has characteristic patterns that can be divided into three groups: 1) real-world and mythical animals, 2) plants, and 3) utensils and castles, which reflect the stories handed down from the past to the present. Additionally, the aestheticism of Tung takes place through three factors: 1) beliefs and faiths, 2) merit and gratitude, and 3) creativity and imagination from the Tung weavers’ experiences obtained from the compositions and arrangements of all patterns based on the principles of visual elements. This study can be implied into curriculum and learning about Tai cultural education.
佛教大旗:意义维度下的身份与唯美——对泰略民族教育的反思
“东”是泰略族(TLEG)的佛教旗帜,从过去到现在,一直是泰略族(TLEG)生活在泰国北部的多种崇拜和仪式中使用的旗帜。因此,董是一个象征,反映了台联的信仰和信念。本研究的目的是在反映信教信仰的维度上,研究董氏的特点和唯美主义。深入的数据和信息是通过对关键线人的观察和访谈获得的,这些线人包括泰国Phayao Chiang Kham的社区领导人、当地哲学家和TLEG的东织工。研究表明,大略洞的典型形状通常是一个垂直的矩形,其特征图案可分为三组:1)现实世界和神话中的动物,2)植物,3)器物和城堡,反映了从过去到现在的故事。此外,董氏的审美通过三个因素产生:1)信仰和信仰;2)功德和感恩;3)创造性和想象力,这是董氏织工根据视觉元素的原则,从各种图案的构图和排列中获得的经验。本研究可隐含于台地文化教育的课程与学习中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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