The Language of the Art of Music: An Overview of Its History in Brazil

Alberto Carlos de Souza
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Abstract

This study sought to re-visit the two conceptions of Art – pedagogical and reflective - forged throughout history and its relationship with the Brazilian aesthetic thought of resistance. From the 60's, such thinking has given a pedagogical purpose to art, charged with the task of social criticism and political engagement human emancipatory: In this scenario mainly determined by the Theater of the Oppressed, the new movies  and the protest song by Milton Nascimento, Caetano Veloso, Chico Buarque, Gilberto Gil,  among many others.
音乐艺术的语言:巴西音乐艺术的历史概述
本研究试图重新审视艺术的两个概念-教学和反思-贯穿历史,以及它与巴西审美思想的关系。从60年代开始,这种思想赋予了艺术一种教学目的,肩负着社会批评和政治参与人类解放的任务:在这种情况下,主要由被压迫者剧院、新电影和米尔顿·纳西门托、卡埃塔诺·维罗索、奇科·布阿尔克、吉尔伯托·吉尔等人的抗议歌曲决定。
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