The Last Chorus

P. Juslin
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Abstract

This chapter provides a synthesis of the discussions in the preceding chapters. It suggests that having read the previous chapters, readers will agree that little more can be said about musical emotions these days. However, much work remains to explore and understand fully the manifold mechanisms involved. Even now, it is possible to suggest possible ways of explaining how these mechanisms could produce some of the most complex and rewarding emotions experienced with music in daily life. The chapter also considers another paradox of music and emotion, which needs to be resolved: People tend to avoid experiencing sadness in everyday life, yet they seem to find the experience of sadness pleasurable in music listening.
最后的合唱
本章综合了前面各章的讨论。这表明,在阅读了前面的章节后,读者会同意,如今关于音乐情感已经没什么可说的了。然而,仍有许多工作要探索和充分了解所涉及的多种机制。即使是现在,也有可能提出可能的方法来解释这些机制如何在日常生活中产生一些最复杂、最有益的音乐情感体验。这一章还讨论了音乐和情感的另一个需要解决的悖论:人们倾向于避免在日常生活中经历悲伤,但他们似乎在听音乐时发现悲伤的经历是愉快的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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