Design in-between Knowledge, Cultures, Identities, and Territories

Carla Paoliello
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Abstract

The prefix and preposition between come from the Latin inter. It indicates the position in the middle of two things. It is a spatial and a temporal limit as inter-open, interweave, and interpose. It expresses exchange and reciproc-ity. The term in-between imbues all these meanings. It brings this open place and time where different ways of looking and living in our world mix together or complete each other in a universal perspective. We expose the interrelationships between design, knowledge, cultures, identities, and ter-ritories. We also elucidate the mixtures, miscegenation, and hybridizations between oneself and another or between a designer and an artisan. This pa-per evidences the contact zone that defines another place, which is no long-er mine or the others as told by Pratt's “between-places” [1] in an in-between-time of between-beings.
在知识、文化、身份和地域之间进行设计
前缀和介词between来自拉丁语inter。它表示在两个物体中间的位置。它是一个空间和时间的限制,相互开放,相互交织,相互作用。它表达了交换和互惠。“中间”一词包含了所有这些含义。它带来了一个开放的空间和时间,在这里,我们世界上不同的看待和生活方式在一个普遍的视角下融合在一起或相互完善。我们揭示了设计、知识、文化、身份和领土之间的相互关系。我们还阐明了自己与他人之间或设计师与工匠之间的混合、混种和杂交。这篇论文证明了定义另一个地方的接触区,这个地方不再是我的,也不再是普拉特所说的“between-places”[1]在一个between-beings的between-time中的其他人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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