Putting Art in its Place: the “Modern System of the Arts” in Bibliographies and Bibliothecae

Cecilia Hurley
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Abstract

The desire to gather, organize and classify knowledge has long manifested itself. In a library the books are arranged on the shelves in order to facilitate their retrieval. Similarly, in the large catalogues of books and bibliographies compiled over the centuries (“libraries without walls”), references are organised alphabetically or thematically (or using a combination of both). This article attempts to identify and examine the position of the arts within the major bibliographical systems, bibliographies and bibliothecae that have been published since the mid-sixteenth century. It therefore asks which arts were included, and questions how far we can identify a “modern system of the arts”. It also identifies the disciplines with which the arts were most frequently identified and connected (mechanical arts, sciences, literature and poetry). Careful reading and analysis of the bibliographies also raises related questions concerning the readership of artistic literature.
艺术归位:书目与书目中的“现代艺术体系”
收集、组织和分类知识的愿望很早就表现出来了。在图书馆里,为了便于检索,书被排列在书架上。同样,在几个世纪以来编纂的大型图书目录和书目中(“没有围墙的图书馆”),参考文献是按字母顺序或主题排列的(或两者结合使用)。本文试图确定和检查自16世纪中期以来出版的主要参考书目系统,参考书目和书目中的艺术地位。因此,它询问了哪些艺术被包括在内,并质疑我们能在多大程度上确定一个“现代艺术体系”。它还确定了艺术最常被识别和联系的学科(机械艺术,科学,文学和诗歌)。对参考书目的仔细阅读和分析也提出了有关艺术文学读者群的相关问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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