Questioning Masculinity and the Gender Binary in Fashion

Nicola Brajato
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Abstract

This article introduces the work of Belgian designer Glenn Martens as creative director of the Paris-based brand Y/Project and its “unisex” approach to fashion. Drawing on queer theory and theories of non-binary and genderqueer identities, the proposed investigation addresses the power of fashion in rethinking bodily gender boundaries and in imagining possible escapes from the tyranny of the gender binary in fashion. To do so, I propose a qualitative multidimensional reading of the brand, in which I look at how Martens critically questions normative assumptions about masculinity and the male dressed body. The analysis takes into consideration the Y/Project e-commerce with its structure and positioning in the online retailing system, the design of garments, and the visuality of fashion shows.
质疑时尚中的男性气质和性别二元
这篇文章介绍了比利时设计师Glenn Martens作为巴黎品牌Y/Project的创意总监的工作,以及它的“男女皆宜”的时尚方法。利用酷儿理论、非二元和性别酷儿身份理论,本研究旨在探讨时尚在重新思考身体性别界限和想象从时尚中二元性别暴政中逃脱的可能性方面的力量。为此,我提出了一个定性的多维度解读这个品牌,在这个解读中,我观察了马丁斯是如何批判性地质疑关于男性气质和男性穿着的身体的规范假设的。分析考虑了Y/Project电子商务在网络零售系统中的结构和定位,服装的设计,时装秀的视觉效果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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