Bodies

N. Watson
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引用次数: 0

Abstract

Chapter 2 considers alternative evocations of the author’s body, focusing on how and why animal-bodies in the form of taxidermied remains are deployed as surrogates for the figure of the author within the writer’s house museum. It tours Arqua, Olney, London, Philadelphia, Coxwold, and Amherst in pursuit of the stories and fantasies old and new that lie behind the celebrity of Petrarch’s cat, Cowper’s hares, Poe’s raven, Sterne’s starling, and Dickinson’s hummingbirds. It argues that these animals serve to describe the doubled body of the author, at once dead and alive, mortal and immortal, body and voice, corpse and textual corpus.
的身体
第2章考虑了作者身体的其他唤起,重点是如何以及为什么动物尸体以标本的形式被部署为作者在作家的房子博物馆里的形象的替代品。它游历了阿奎、奥尔尼、伦敦、费城、考克斯沃尔德和阿默斯特,追寻在彼特拉克的猫、考伯的野兔、坡的乌鸦、斯特恩的八哥和狄金森的蜂鸟等名人背后的新旧故事和幻想。它认为这些动物用来描述作者的双重身体,同时是死的和活的,必死的和不朽的,身体和声音,尸体和文本主体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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